Ebershoff (The Danish Girl, 2000) strikes a chord over and again, sure to resonate like soulful music to some and clanking...
A well-honed but less-than-striking collection about discontented gay men caught between troubled childhoods, diminished lives, and the shifting winds of their uncertain futures.
Whether the setting is Boston or Pasadena, the men and boys inhabiting the shrunken worlds of each of Ebershoff’s seven tales have more in common than not. In “The Charm Bracelet,” Billy is a high-school kid who likes to cruise at a nearby gay bar, but has yet to go beyond being flirtatious, sharing drinks, and taking phone numbers. A chance encounter with a frightened woman in a darkened park threatens to shine some reality into his life before he shuts it out again. The title story features Roland, a 48-year-old swelled to bursting with a sense of his own importance to the community. Watching men in the locker room of his athletic club, he “boiled a batch of distaste, one that would stay with him through the day.” Like all of Ebershoff’s men, Roland longs for much more than he could ever have and pays a dear price for all that attention focused elsewhere. Similarly, in “Tresspass,” the book’s spooky conclusion, the teenage narrator sleepwalks through his stunted life, suffused with dreams of what could and should be. Some of the stories, like the opener, “Chuck Paa,” in which an acne-scarred home-health aide moves from one dying AIDS patient to another, cling to you with the intensity of their sadness and sense of limitation. But for all the assured and talented writing on display here, the refrain of themes—distant families, relentless hunting for something better, obsessions with physical perfection—and sameness of tone level out the collection’s high points.
Ebershoff (The Danish Girl, 2000) strikes a chord over and again, sure to resonate like soulful music to some and clanking repetition to others.Pub Date: May 1, 2001
ISBN: 0-670-89483-4
Page Count: 256
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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