Lovely, but as exhausting as exhaustive.
An epic tale spanning the history of a WWI–era southern California that’s later lost to the flash of Hollywood and technoburbs.
“[Nearly] everyone wanted to tell a story,” Ebershoff (The Danish Girl, 2000, etc.) tells us, “forging the past and inventing the details along the way.” A generation after the main action of the story, real-estate developer Andrew Blackwood stumbles on some California property, Condor’s Nest Ranch in Baden-Baden-by-the-Sea, in a fanciful world between San Diego and Los Angeles. Through his dealings to acquire the place, Blackwood comes upon its amazing history: it had fallen into the hands of a man named Bruder via a dying man’s will written on a battlefield in the forests of WWI France. When Bruder arrives to make his claim, it’s not clear whether the young and lovely Linda is part of the deal. The two fall in love despite the odd transaction and are soon frolicking through suggestive ice plant, discovering dead bodies on the beach, and digging up arrowheads. But Linda is “a dangerous girl” and Bruder “an unknowable man,” and their fates aren’t so easy either. A mudslide buries both, and though the lovers manage to escape, the experience splits them up. Four years pass. When Linda returns, the love is still there, but so is Rosa, the ripe child of a maid now dead. While Bruder breaks for Rosa, Linda finds herself drawn to Willis, who might have owned Condor’s Nest if not for that battlefield deal so long ago. Bruder is an avid reader and won’t talk about the war, but could he really be capable of murder? And why does Rosa, of all people, want a private meeting with Linda in Central Park? Will Linda’s testimony send an innocent man to San Quentin? And will the tale ultimately change developer Blackwood’s mind about turning the property into prefab shacks for the middle class?
Lovely, but as exhausting as exhaustive.Pub Date: July 16, 2002
ISBN: 0-375-50456-7
Page Count: 480
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2002
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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