A valediction for Wallace’s fans. Accountants will enjoy it, too.
The final finished work by the late, widely influential novelist and essayist.
The present novel, which clocks in at 136 pages, was first published as part of Wallace’s unfinished book, The Pale King. Unlike much of the larger work, it is a finished whole, an onrushing confessional set in an IRS processing center in Peoria, Illinois. The narrator, named Chris Fogle in The Pale King but unnamed here, begins his saga as an aimless young adult who lives at home in Libertyville, a North Side suburb of Chicago. His frustrated father tells his mother that their son “couldn’t find [his] ass with both hands,” and though dad has a point, Chris waxes analytical in classic Wallace form: “From what I understand of basic psychology, this is a fairly typical dynamic—son is feckless and lacks direction, mother is sympathetic and believes in son’s potential and sticks up for him, father is peeved and endlessly criticizes and squeezes son’s shoes but still, when push comes to shove, always ponies up the check for the next college.” Chris eventually comes around and signs up to join “the Service,” the IRS become a quasi-religious institution, driven to do so in part out of remorse for a grisly accident that kills his father. Wallace, as Chris' interviewer, is really a stenographer, recording his subject’s every offhand remembrance of his early years in the 1970s: “Acapulco Gold versus Colombia Gold,” disco, the bankruptcy of New York, the “Uncola,” and other cultural touchstones of an unsettled time. Much can be read as roman à clef, with mental illness, drugs, and misdirection at the heart of the book, brimming over with irony and obsessive attention to the tiniest detail (“the Advanced Tax students had multiple pencils lined up on their desks, all of which were extremely sharp”). Not much happens outside Chris’ head, but what’s going on there is darkly fascinating.
A valediction for Wallace’s fans. Accountants will enjoy it, too.Pub Date: April 5, 2022
ISBN: 978-1-946022-27-1
Page Count: 136
Publisher: McNally Editions
Review Posted Online: Jan. 18, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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