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RETURN OF THE OSPREY

A SEASON OF FLIGHT AND WONDER

A year well spent and carefully recorded: heedful, respectful, and filled with the romance of being out of doors.

An attentive year with the ospreys of Cape Cod, from the capable hands of Gessner (A Wild, Rank Place, 1997, etc.).

In the spring of 1999, the author made a resolution to spend more time with his neighbors, the ospreys. Once abundant, the fish hawk went into serious decline in the 1950s as a result of DDT poisoning. Then, due in part to the bird’s adaptability and ability to cohabit with humans to a degree, it bounced back from a mortality rate of 90 percent. Much in the manner of his earlier work, Gessner concentrates on the elemental facts of daily life on the Cape: walking, writing, observing, napping, being with his wife. Of particular importance to him is gaining a sense of place, of homeplace, and one aspect of that search are the ospreys, in whose revival he found a glimmer of his own recovery from cancer. This is, in effect, a calendar of days on the osprey watch: watching nests being built and repaired (including one with a naked Barbie doll woven into the woodwork); watching for nestlings, and watching as nestlings get carried away in the night by raiding owls; being witness to the courtship ritual known as the sky dance; recording the daily changes in the salt marsh. While Gessner includes much research he has done into the bird’s biology and behavior (relying heavily on Alan Poole’s work), he is more content (and better at) observing, waiting, letting the season deepen, the flowers bloom, the marsh come to vibrant life. And in the process, through his incessant poking about and hungry curiosity, he does approach a notion of place, perhaps never more so than when he attunes himself to “osprey time.”

A year well spent and carefully recorded: heedful, respectful, and filled with the romance of being out of doors.

Pub Date: March 30, 2001

ISBN: 1-56512-254-2

Page Count: 304

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2001

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WHY FISH DON'T EXIST

A STORY OF LOSS, LOVE, AND THE HIDDEN ORDER OF LIFE

A quirky wonder of a book.

A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.

Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.

A quirky wonder of a book.

Pub Date: April 14, 2020

ISBN: 978-1-5011-6027-1

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 1, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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PILGRIM AT TINKER CREEK

This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.

Pub Date: March 13, 1974

ISBN: 0061233323

Page Count: -

Publisher: Harper's Magazine Press

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: March 1, 1974

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