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ULTIMATE GLORY

FRISBEE, OBSESSION, AND MY WILD YOUTH

Not quite deserving of a spot alongside Plimpton and Angell but a pleasing glimpse into one corner of countercultural...

An anecdotal tour of a sport that has only been around for a few decades but that claims legions of adherents.

To play Ultimate Frisbee, you need a disc and a dog, right? Well, no. The neohippie penchant for throwing a Frisbee at a willing golden retriever has nothing to do with an athletically demanding sport that Gessner (English/Univ. of North Carolina, Wilmington; All the Wild that Remains: Edward Abbey, Wallace Stegner, and the American West, 2014, etc.) describes as “a hybrid of hockey, soccer, basketball, and football.” Yet, as he notes, there’s an old-hippie element to the proceedings: the game was invented at a suburban New Jersey high school in that heady year of 1969, it’s definitively coeducational, and somewhere around the pitch there’s likely to be a cloud of marijuana smoke wafting. Gessner’s definition takes scarcely a page, and some of the rest of the book is padded. The “wild youth” part of the subtitle is the least interesting aspect of the narrative (“I see myself for what I was: a scared little boy playing at life”), while the origin story, as with all origin stories, is foundational in more ways than one and is the best part of the yarn—and how could it not be, with a geek Hercules who stood 6 feet 7 inches tall and managed to go to high school “without getting kicked out once”? Parts of the narrative are overwritten, parts undercooked. Readers will want to know more circumstantial detail about how the game was transmitted beyond the East Coast and where it might be going as it becomes better known. Still, Gessner’s enthusiasm is unmistakable, and there’s much to commend the story as a case in point of how a kid, once finding his or her métier, can make of a pastime a life-transforming experience.

Not quite deserving of a spot alongside Plimpton and Angell but a pleasing glimpse into one corner of countercultural jockdom.

Pub Date: June 6, 2017

ISBN: 978-0-7352-1056-1

Page Count: 304

Publisher: Riverhead

Review Posted Online: April 17, 2017

Kirkus Reviews Issue: May 1, 2017

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FIVE DAYS IN NOVEMBER

Chronology, photographs and personal knowledge combine to make a memorable commemorative presentation.

Jackie Kennedy's secret service agent Hill and co-author McCubbin team up for a follow-up to Mrs. Kennedy and Me (2012) in this well-illustrated narrative of those five days 50 years ago when President John F. Kennedy was assassinated.

Since Hill was part of the secret service detail assigned to protect the president and his wife, his firsthand account of those days is unique. The chronological approach, beginning before the presidential party even left the nation's capital on Nov. 21, shows Kennedy promoting his “New Frontier” policy and how he was received by Texans in San Antonio, Houston and Fort Worth before his arrival in Dallas. A crowd of more than 8,000 greeted him in Houston, and thousands more waited until 11 p.m. to greet the president at his stop in Fort Worth. Photographs highlight the enthusiasm of those who came to the airports and the routes the motorcades followed on that first day. At the Houston Coliseum, Kennedy addressed the leaders who were building NASA for the planned moon landing he had initiated. Hostile ads and flyers circulated in Dallas, but the president and his wife stopped their motorcade to respond to schoolchildren who held up a banner asking the president to stop and shake their hands. Hill recounts how, after Lee Harvey Oswald fired his fatal shots, he jumped onto the back of the presidential limousine. He was present at Parkland Hospital, where the president was declared dead, and on the plane when Lyndon Johnson was sworn in. Hill also reports the funeral procession and the ceremony in Arlington National Cemetery. “[Kennedy] would have not wanted his legacy, fifty years later, to be a debate about the details of his death,” writes the author. “Rather, he would want people to focus on the values and ideals in which he so passionately believed.”

Chronology, photographs and personal knowledge combine to make a memorable commemorative presentation.

Pub Date: Nov. 19, 2013

ISBN: 978-1-4767-3149-0

Page Count: 256

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Sept. 20, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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GRATITUDE

If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...

Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).

In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”

If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.

Pub Date: Nov. 24, 2015

ISBN: 978-0-451-49293-7

Page Count: 64

Publisher: Knopf

Review Posted Online: Oct. 31, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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