Not quite deserving of a spot alongside Plimpton and Angell but a pleasing glimpse into one corner of countercultural...

ULTIMATE GLORY

FRISBEE, OBSESSION, AND MY WILD YOUTH

An anecdotal tour of a sport that has only been around for a few decades but that claims legions of adherents.

To play Ultimate Frisbee, you need a disc and a dog, right? Well, no. The neohippie penchant for throwing a Frisbee at a willing golden retriever has nothing to do with an athletically demanding sport that Gessner (English/Univ. of North Carolina, Wilmington; All the Wild that Remains: Edward Abbey, Wallace Stegner, and the American West, 2014, etc.) describes as “a hybrid of hockey, soccer, basketball, and football.” Yet, as he notes, there’s an old-hippie element to the proceedings: the game was invented at a suburban New Jersey high school in that heady year of 1969, it’s definitively coeducational, and somewhere around the pitch there’s likely to be a cloud of marijuana smoke wafting. Gessner’s definition takes scarcely a page, and some of the rest of the book is padded. The “wild youth” part of the subtitle is the least interesting aspect of the narrative (“I see myself for what I was: a scared little boy playing at life”), while the origin story, as with all origin stories, is foundational in more ways than one and is the best part of the yarn—and how could it not be, with a geek Hercules who stood 6 feet 7 inches tall and managed to go to high school “without getting kicked out once”? Parts of the narrative are overwritten, parts undercooked. Readers will want to know more circumstantial detail about how the game was transmitted beyond the East Coast and where it might be going as it becomes better known. Still, Gessner’s enthusiasm is unmistakable, and there’s much to commend the story as a case in point of how a kid, once finding his or her métier, can make of a pastime a life-transforming experience.

Not quite deserving of a spot alongside Plimpton and Angell but a pleasing glimpse into one corner of countercultural jockdom.

Pub Date: June 6, 2017

ISBN: 978-0-7352-1056-1

Page Count: 304

Publisher: Riverhead

Review Posted Online: April 18, 2017

Kirkus Reviews Issue: May 1, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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