Gilbert’s intelligence and verbal dexterity don’t count for much, unharnessed to theme or plot.
A meandering first novel tracks the experiences of participants in a drug story.
The two-week study, in August 1999, is seen through the eyes of narrator Billy Schine, a 28-year-old Harvard graduate with a problem: He owes sixty grand in student loan repayments, and Ragnar is hot on his trail in Manhattan. Billy has never met Ragnar, the collection agency guy, but he has lurid fantasies about him. It’s time to skip town, so feckless Billy abandons his live-in girlfriend Sally and his temp job as a word processor and heads upstate to the medical research center. There, along with other “normals” (healthy, allergy-free types), he will be tested for reactions to an anti-psychotic drug. But where is the novel headed? Will it be a medical thriller? There’s only a taste of that, at the end. Black comedy? There’s sophomoric kidding around, but that doesn’t qualify. How about Billy’s existential drama? He’s an outsider and underachiever, the product of parents who doted solely on each other; now his mother has Alzheimer’s and his father is arranging for them to die together on their wedding anniversary. Yet Billy remains a lightweight. When the study is over and he has the chance to be the subject of an off-the-books, potentially lethal experiment, Billy jumps at it. Why? He has no good answer. By default, then, this is a novel about some guys hanging out: swallowing their pills, giving their blood, swapping war stories of life on the guinea-pig circuit, and watching way too much television. For good measure, Gilbert (the collection Remote Feed, 1998) throws in a delusional roommate subdued by security; some unlikely animal rights activists; and a lone female patient, Gretchen, who makes full use of all the available men. Her mission statement, incidentally, makes more sense than anything Billy has to say for himself.
Gilbert’s intelligence and verbal dexterity don’t count for much, unharnessed to theme or plot.Pub Date: Oct. 1, 2004
ISBN: 1-58234-456-6
Page Count: 384
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.
A forsaken family bound by grief still struggles to pick up the pieces 12 years after their mother’s death.
When famous author Gil Coleman sees “his dead wife standing on the pavement below” from a bookshop window in a small town on the southern coast of England, he follows her, but to no avail, and takes a near-fatal fall off a walkway on the beach. As soon as they hear word of his accident, Gil’s grown daughters, Nan and Flora, drop everything and return to their seaside family home in Spanish Green. Though her father’s health is dire, Flora, Gil’s youngest, can’t help but be consumed by the thought that her mother, Ingrid—who went missing and presumably drowned (though the body was never found) off the coast more than a decade ago—could be alive, wandering the streets of their town. British author Fuller’s second novel (Our Endless Numbered Days, 2015) is nimbly told from two alternating perspectives: Flora’s, as she re-evaluates the loose ends of her mother’s ambiguous disappearance; and Ingrid’s, through a series of candid letters she writes, but never delivers, to Gil in the month leading up to the day she vanishes. The most compelling parts of this novel unfold in Ingrid’s letters, in which she chronicles the dissolution of her 16-year marriage to Gil, beginning when they first meet in 1976: Gil is her alluring professor, they engage in a furtive love affair, and fall into a hasty union precipitated by an unexpected pregnancy; Gil gains literary fame, and Ingrid is left to tackle motherhood alone (including two miscarriages); and it all bitterly culminates in the discovery of an irrevocable betrayal. Unbeknownst to Gil and his daughters, these letters remain hidden, neglected, in troves of books throughout the house, and the truth lies seductively within reach. Fuller’s tale is eloquent, harrowing, and raw, but it’s often muddled by tired, cloying dialogue. And whereas Ingrid shines as a protagonist at large, the supporting characters are lacking in depth.
Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.Pub Date: Feb. 7, 2017
ISBN: 978-941040-51-5
Page Count: 368
Publisher: Tin House
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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