by David Gilmour ‧ RELEASE DATE: Aug. 1, 1991
The first official biography of Giuseppe Tomasi, prince of Lampedusa and author of The Leopard, recounted by British journalist (and family friend) Gilmour with an elegance and precision worthy of his subject. When The Leopard was published in 1958 to great acclaim, Lampedusa was already one year dead and entirely unknown as a writer. Intensely shy and self-contained, he did not even begin writing until late in life and left the world no picture of himself save that contained in his portrait of Don Fabrizio, the doomed aristocrat of his novel, whose declining fortunes mirrored that of the Lampedusa family. The last scion of a long line of Sicilian nobility, Lampedusa grew up in a world that had little use—and no role—for him, and he found his only refuge from the tedium of daily life in literature: A voracious reader, he was capable of working his way through entire novels at a single sitting. Ill at ease among intellectuals, Lampedusa made little use of his literary interests until—well into middle age—he began to give informal lectures on English poetry and prose to a small circle of friends. Gradually he formed the notion of writing a novel that would ``preserve'' the nearly vanished world of Sicily's ancien rÇgime, much as the works of Dickens had captured 19th-century London. With marvelous insight and clarity (aided by an unimpeded access to Lampedusa's notes and papers), Gilmour traces the process by which the aging prince came to an understanding of his own history and managed to transform what he himself saw as ``a largely wasted life'' into one of the most controversial and admired novels of the century. A fascinating chronicle: Gilmour writes with the assurance of a seasoned scholar and the ease of a born storyteller.
Pub Date: Aug. 1, 1991
ISBN: 0-679-40183-0
Page Count: 240
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1991
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BOOK REVIEW
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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