A compelling—if slightly melodramatic—portrait of youth, love, and a lost era of New York.
After the death of a former friend, a Brooklyn couple finds their lives beginning to unravel.
In his second novel, author and memoirist Goodwillie paints a captivatingly vivid portrait of young love in New York in the early 2000s. Drawn by the promise of the city, Audrey and Theo are a creative couple who both escaped their respective dead-end towns and broken families. Struggling to make it in Bushwick, Audrey, a jack-of-all-trades for a well-known indie label, and Theo, a literary scout for a Hollywood production company, seem like polar opposites at first. After meeting at a concert, they fall into a deep love built on trust and devoid of secrets—or so they thought. When Audrey hears a rumor that someone from her past jumped off the Williamsburg Bridge, her life and relationship start to come apart at the seams. An old secret rises to the surface, putting Audrey and Theo in danger. The novel’s characterizations of people—from Brooklyn musicians to Upper East Siders—and the city itself are its biggest strength: “It had taken [Theo] a decade to gain his footing, but New York was funny that way. Occasionally, he thought he understood the city in a profound way. Most of the time he was confused about everything.” It’s a simple yet perfect encapsulation of the perpetual intimacy and elusiveness of Manhattan. Goodwillie’s writing is full of not only impressive detail and fondness, but also self-awareness: “Audrey and Theo were not true pioneers. They’d arrived, instead, with the first swell of settlers, and had watched with timeworn gentrifiers' dismay as the swells became waves.” Throughout the novel, the Occupy movement beats wildly in the background, and the pages are littered with current and lost locales like Café Loup, Saint Vitus and Balthazar. Aside from the plot (which sometimes falls on the overdramatic side), the novel is a panoramic time capsule of youth and self-discovery in the aughts in New York City.
A compelling—if slightly melodramatic—portrait of youth, love, and a lost era of New York.Pub Date: Aug. 11, 2020
ISBN: 978-1-5011-9213-5
Page Count: 432
Publisher: Avid Reader Press
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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