A fleet, action-packed tale with a formidable creature.
In this debut sci-fi thriller, a team of scientists encounters a deadly predator in the Amazon jungle.
A plane carrying a prominent Brazilian politician and his family crashes into the jungle, and the helicopter sent to find them inadvertently discovers what appears to be some kind of cavern, inexplicably massive. Doc Morrison, a world-renowned geologist and expert in speleology—the study of caverns—is called in to investigate the anomaly. He immediately heads to Brazil with his two assistants—Libby Grayson and Peter Cassidy—and is met by fellow scientist Dr. Maria Vasquez and a military unit assigned to escort them all. The cavern they discover is not only colossal—it’s estimated to be 340 million cubic meters—but also filled with the skeletal remains of indigenous animals, indicating it’s inhabited by some unknown predator. The team quickly discovers that the mysterious killer is a vicious creature none can identify, and races through the jungle in search of safety. Meanwhile, there is reason to believe Diego Esteban—the missing politician—might still be alive. Brazil’s president (and Esteban’s close friend) pressures the military to find him. Against the backdrop of the drama are two amorous subplots—the steamy relationship between Peter and Libby, and the simmering attraction between Morrison and Maria, who know each other from a previous expedition. Burkett has composed a taut thriller: brief but brimming with action and romantic possibility. In addition, he memorably describes the creature in horrid detail. But the author gives so much away so soon—jumping back and forth in narrative time—that any real suspense is unfortunately waylaid. Furthermore, the writing can be theatrically overwrought, especially the dialogue, which often seems ripped from the pages of a Harlequin novel: “ ‘I will Libby. I promise, I’ll come back to you. I love you! I’m going to turn off the radio now. I can’t take any chances. I love you!’ Libby heard the radio go silent. She hung her head and cried, tears dripping onto her lap.” Burkett conjures a chilling villain, but the assemblage of protagonists is less seductive.
A fleet, action-packed tale with a formidable creature.Pub Date: Aug. 6, 2016
ISBN: N/A
Page Count: 216
Publisher: CreateSpace
Review Posted Online: April 19, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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