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THE OLD IRON ROAD

AN EPIC OF RAILS, ROADS, AND THE URGE TO GO WEST

In this regard, Bain offers useful footnotes to points raised by New Western historians such as Patricia Nelson Limerick and...

A slide show of a family trip west, with learned captions.

Bain (English/Middlebury Coll.) had plenty of reasons for heading westward: he’d written about the expansion of the American frontier in Empire Express (1999), an epic of the transcontinental railroad; he’d long been an ardent admirer of Mark Twain, whose spirit infused Bain’s first work, “and of course he had popped up again and again, like a hitchhiker, all along the old iron road.” Plus, he wanted to show his family the places he’d seen in the course of his research and was thus “seized with the idea of taking them out West.” The resulting travelogue, which mainly follows the old Emigrant Trail from Council Bluffs, Iowa, to San Francisco, doesn’t add up to much; it lacks the emotional investment, the hunger for self- and other-discovery, of comparable long-distance spins by, say, William Least Heat-Moon and Jonathan Raban, and it covers decidedly unexotic ground that would challenge even a top-flight storyteller—say, Ian Frazier, the laureate of the Plains. Yet Bain writes pleasantly enough, and he turns up sufficient historical oddments to please any fan of the Great American Road: the fact that Omaha, Nebraska, “is the birthplace of Marlon Brando, Malcolm X, and Fred Astaire, an unlikelier trio one could not hope to find but one that in a decidedly contrary way reflects on the city itself”; the curious career of the Swiss painter Karl Bodmer, whose 19th-century visions of the prairie must have induced many a romantic to make the journey there; the still more curious career of Jake Eaton, late of Grand Island, the “champion gum chewer of the world”; the birth of the Myth of the West in the work and persons of exemplars such as Owen Wister and Gary Cooper.

In this regard, Bain offers useful footnotes to points raised by New Western historians such as Patricia Nelson Limerick and Richard White. Otherwise, not much more than a slide show for those who were there.

Pub Date: May 10, 2004

ISBN: 0-670-03308-1

Page Count: 446

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2004

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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