An ineffective diatribe against all things on the left of the political spectrum. Horowitz, president of the Center for the Study of Popular Culture and author of numerous works, including The Race Card (1997) and Destructive Generation (1996), asks if the traditional political appellations of “left” and “right” retain any meaning in post—Cold war America. He answers most emphatically that they do. While he admits that the left may be “rhetorically in retreat,” its goals and agenda, he feels, remain the same and consist of nothing less than —a war against the democracies of the West.” That we don—t see the true nature of the left—whether it now calls itself —progressive” or “liberal” or whatever—reflects, for Horowitz, “the long-standing dominion of socialist sentiment” within our culture. Despite cosmetic differences, the left is of a piece. Grounded in utopian dreams, coming to fruition in the grotesque tragedy of the Soviet Union, the left continues to insist on absolute economic equality and the abolishment of private property. The right, on the other hand, continues to believe in and defend that which is good: the free individual and the free market. Having presented these themes, however, Horowitz really has nowhere to go, and so the book mostly consists of empty rhetoric. If the left is indeed of a piece, and all left argumentation and critique is therefore Stalinist, there is no need for Horowitz to engage with such critique; it’s by definition bad. This all makes for a tremendously boring book; one can only read page after page of invective for so long. Readers will look in vain for the precise scholarship and sound logic of which the often brilliant Horowitz is certainly capable. A thrown-together book with no real purpose. Interested readers will be better served reading the author’s vastly superior Radical Son: A Generational Odyssey (1997).
Pub Date: Oct. 1, 1998
ISBN: 0-684-85023-0
Page Count: 224
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1998
As with nearly all of Lewis’ books, this one succeeds on so many levels, including as a well-written primer on how the...
Lewis (The Undoing Project: A Friendship that Changed Our Minds, 2016, etc.) turns timely political reporting he published in Vanity Fair into a book about federal government bureaucracies during the first year of the Donald Trump presidency.
At first, the author’s curiosity about the relationship between individual citizens and massive federal agencies supported by taxpayer dollars did not lead him to believe the book would become a searing indictment of Trump. However, Lewis wisely allowed the evidence to dictate the narrative, resulting in a book-length indictment of Trump’s disastrous administration. The leading charge of the indictment is what Lewis terms “willful ignorance.” Neither Trump nor his appointees to head government agencies have demonstrated even the slightest curiosity about how those agencies actually function. After Trump’s election in November 2016, nobody from his soon-to-be-inaugurated administration visited federal agencies despite thorough preparation within those agencies to assist in a traditionally nonpartisan transition. Lewis primarily focuses on the Energy Department, the Agriculture Department, and the Commerce Department. To provide context, he contrasts the competent transition teams assembled after the previous elections of George W. Bush and Barack Obama. Displaying his usual meticulous research and fluid prose, the author makes the federal bureaucracy come alive by focusing on a few individuals within each agency with fascinating—and sometimes heartwarming—backstories. In addition, Lewis explains why each of those individuals is important to the citizenry due to their sometimes-arcane but always crucial roles within the government. Throughout the book, unforgettable tidbits emerge, such as the disclosure by a Forbes magazine compiler of the world’s wealthiest individuals list that only three tycoons have intentionally misled the list’s compilers—one of the three is Trump, and another is Wilbur Ross, appointed by Trump as Commerce Secretary.
As with nearly all of Lewis’ books, this one succeeds on so many levels, including as a well-written primer on how the government serves citizens in underappreciated ways.Pub Date: Oct. 2, 2018
ISBN: 978-1-324-00264-2
Page Count: 256
Publisher: Norton
Review Posted Online: Oct. 1, 2018
Kirkus Reviews Issue: Oct. 15, 2018
James Baldwin has come a long way since the days of Notes of a Native Son, when, in 1955, he wrote: "I love America more than any other country in the world; and exactly for this reason, I insist on the right to criticize her perpetually." Such bittersweet affairs are bound to turn sour. The first curdling came with The Fire Next Time, a moving memoir, yet shot through with rage and prophetic denunciations. It made Baldwin famous, indeed a celebrity, but it did little, in retrospect, to further his artistic reputation. Increasingly, it seems, he found it impossible to reconcile his private and public roles, his creative integrity and his position as spokesman for his race. Tell Me How Long the Train's Been Gone, for example, his last novel, proved to be little more than a propagandistic potboiler. Nor, alas, are things very much better in No Name In the Street, a brief, rather touchy and self-regarding survey of the awful events of the '60's — the deaths of Malcolm X and Martin Luther King, the difficulties of the Black Panther Party, the abrasive and confused relationships between liberals and militants. True, Baldwin's old verve and Biblical raciness are once more heard in his voice; true, there are poignant moments and some surprisingly intimate details. But this chronicle of his "painful route back to engagement" never really comes to grips with history or the self. The revelatory impulse is present only in bits and pieces. Mostly one is confronted with psychological and ideological disingenuousness — and vanity as well.
Pub Date: May 26, 1972
ISBN: 0307275922
Page Count: -
Publisher: Dial Books
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: May 1, 1972
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