A masterful assemblage of environmentally minded tales.
A collection of short fiction taps into eco-compromised lives in southern Ontario.
As one character observes in Huebert’s volume, Canada is a country built on oil. The tension between resource extraction and environmental collapse—both out in the world and inside the home—is ever present in this linked cycle of 11 stories. An oil refinery worker—who ponders the increasing number of dead birds as well as his mother’s recent demise—starts thinking about how he’d like to be buried. A high school girl enters into an inappropriate relationship with her English teacher, though it’s as much about the older woman’s knowledge of plants as it is about anything sexual. The mother of a baby feels her life unravel as she tries desperately to rid her home of a mouse infestation. “The thing about rodents,” the exterminator tells the horrified woman, whose husband works at one of the many local plants, “is that they’re a lot like oil…Just like how there’s pipelines all around you but you never see them….Same thing with the rodents.” Oil is a recurring image, but it’s not just a metaphor: The black blood of these tales is squeezed from the remains of plants, animals, and human beings alike. Huebert has a razor-sharp wit and an exacting eye for human foibles, as here where he describes one character’s eco-conscious—yet decidedly not self-aware—love interest: “Daddy Issues doesn’t use social media, refuses to milk data from his flesh. He wears plaid and vegan Blundstones, grooms his beard with fine-toothed sandalwood. He has two long dimples above his pouting buttocks, likes to joke that his rear end is luscious with negative capability.” The stories are often on the longer side, and they pack a novelistic level of detail. The author manages to offer intimate portraits of human lives without ever letting readers forget the climate bubbling just outside their windows. Huebert’s assortment of activists, hockey players, preppers, and nurses find themselves on the front lines of crises in which every choice has a moral dimension—and readers will be right there with them.
A masterful assemblage of environmentally minded tales.Pub Date: Oct. 19, 2021
ISBN: 978-1-77196-447-0
Page Count: 224
Publisher: Biblioasis
Review Posted Online: Feb. 25, 2022
Kirkus Reviews Issue: April 15, 2022
Review Program: Kirkus Indie
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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