A wealth of white-hat hacking gives this enjoyable sequel a boost.
A group’s noble effort to validate astrology entails the rather illegal procurement of millions of people’s private information in this second installment of a series.
Rufus is a sheep farmer by trade, but his real passion is astrology. He’s even written a book, in which his discussion of unified religions is supported by astrological science—including the concept that everyone’s life is guided by heavenly bodies. Rufus’ ideas earn him an invite to the Data Collection Group, which hopes to authenticate astrology by linking real-life data with horoscope predictions. This requires a colossal amount of information, as specific as possible. Hacking’s the best option, and Rufus—along with his nephew Robert and Robert’s hacker pals, Petey and Matthew—has already gotten his hands on the 1960-2010 American census data. But the “money people,” including Walter and his wife, Erica, want more, from data brokers to social media. Walter’s soon-to-open, wholly legitimate Institute for Humanistic Innovation will give the DCG covert access to a supercomputer to handle the mass of material. Though it’s a large-scale invasion of privacy, the group’s purpose is philanthropic, with no plans to steal anyone’s identity. Some in the DCG, however, have a hidden agenda that most, including Rufus, may oppose. While Jaegers’ (Astrologer’s Apprentice, 2016) series opener was primarily an introduction to astrological theories, his latest tale focuses on espionage. One scheme for pilfering data, for example, begins with a faked cyberattack, which, to avoid detection, puts Petey and Matthew in two different states with encrypted laptops. This maintains a constant threat of arrest or incarceration, as well as some humor: Rufus acknowledges DCG members in public with a surreptitious nod or wink. The story’s unhurried but absorbing, dishing out character dilemmas (Petey may give up a college diploma for DCG) and spiritual insight from Rufus: “Each man’s soul is an integral part of a collective universal soul.” Jaegers ends the novel by leaving the door wide open for another.
A wealth of white-hat hacking gives this enjoyable sequel a boost.Pub Date: June 1, 2017
ISBN: 978-0-692-88074-6
Page Count: 263
Publisher: CreateSpace
Review Posted Online: May 27, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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