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THE KING AND QUEEN OF MALIBU

THE TRUE STORY OF THE BATTLE FOR PARADISE

An engaging story about wealth, entitlement, property rights, change, loss, and pain.

A swift account of the history of Malibu, “a rugged ranch in the middle of nowhere” that became “a global symbol of fame and fortune.”

Reuters senior reporter Randall (Dreamland: Adventures in the Strange Science of Sleep, 2012) is interested in briskness and conciseness; this is no dense scholarly history. He begins with a quick overview of the entire text, then proceeds with the story of Frederick Rindge (1857-1905), an ambitious Harvard student who, throughout his life, had to battle the lingering effects of rheumatic fever but shared with Theodore Roosevelt the exercise ethos and love of the outdoors that enabled him to live much longer than he otherwise might have. Rindge, as Randall shows us, had a gift for seeing financial opportunities and seizing them—though it didn’t hurt that he began with an inheritance worth some $140 million in today’s currency. He met and very quickly married Rhoda May Knight (who always went by “May”), and off they went to Los Angeles, where he quickly became one of the major movers in that community’s transition to a megalopolis. He bought a huge ranch, once a major Spanish land grant, in the area now called Malibu (an abbreviation of the ranch’s original Spanish name), developed it, and strived mightily—as did his widow, for decades—to keep it both private and pristine. Obviously, they lost. They battled homesteaders, trespassers, and, eventually, the local and national governments, the final stroke being the construction of the Pacific Coast Highway. The Depression wiped out May’s fortune. The author communicates a keen sympathy for the Rindges, praising Frederick for his philanthropy back in his Massachusetts hometown and May for her virtual monomania about the property. As “progress” arrives in the area, the author wants us to feel sorrow for the folks with multiple mansions and vast fortunes.

An engaging story about wealth, entitlement, property rights, change, loss, and pain.

Pub Date: March 2, 2016

ISBN: 978-0-393-24099-3

Page Count: 256

Publisher: Norton

Review Posted Online: Dec. 9, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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