A devilishly satisfying work of twisted comedy starring the exploits of an unrepentant alcoholic joker.
In Kempf’s horror novel, a troubled addict adds revenge to his long list of missteps.
Prolific horror writer Kempf’s knack for deft characterization is on vivid display with his Pennsylvanian protagonist Jack Lively, a recovering alcoholic, raging drunk driver, wife batterer, father of one, and “three-time loser.” After a series of drunken blackouts and arrests, resulting in “three DUIs in two years,” he is placed on nine months of house arrest. Oddly, he is allowed a travel radius that includes a small bar where he performs onstage. Lively is a comedian whose penchant for raunchy black humor often leaves audiences angry. Adding misery on top of despair is Emily—his embittered “heartless, cruel, and mean” ex-wife—for whom he harbors a seething resentment despite the temporary relief found at Twelve Steps meetings and regular romps with Riley, a local escort. Between check-up visits from his community corrections officer and random breathalyzer tests, recurring dreams of murdering Emily haunt him. While his comedy routine is consistently offensive (including a skit involving a bloody stuffed bunny), Lively’s interactions with his appalled, heckling audiences result in several rousing sequences in Kempf’s short novel. Also notable is the author’s realistic portrayal of Lively’s alcoholism, which manifests itself in painful cravings he calls his “sleeping giant.” In the ultimate vengeance ruse to rob and murder Emily, Lively conspires with Riley, who desperately needs a cash infusion to repay her pimp, and the expected mayhem ensues. Kempf’s first-person narration dives deep into Lively’s psyche to expose his fear of failure, his devotion to alcohol, and the dark, murderous nature of a revenge plot. The author manages to evoke sympathy for his protagonist within his innate struggle to survive and to make sense of his misled life. In Kempf’s world, there are no happy endings, but there are unquestionable comeuppance and wry humor in spades. This potent novel will appeal particularly to fans of bleak humor and bad-guy characters who remain shameless from beginning to end.
A devilishly satisfying work of twisted comedy starring the exploits of an unrepentant alcoholic joker.Pub Date: Dec. 1, 2020
ISBN: N/A
Page Count: 172
Publisher: Graylyn Press
Review Posted Online: May 25, 2021
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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