NOVA'S ARK

Kirk (Miss Spider’s New Car, 1997, etc.) pens an incidental story—undeveloped, sentimental window-dressing—for brash metallic 3-D illustrations that may leave readers cold. Nova, a young and restless robot, enjoys making robotic animals inspired by his prized possession and ancient family heirloom, a wooden toy ark and its bestiary; he dreams of being with his father, Taspett, an intergalactic explorer in search of crystals to supply his planet’s energy. One day Nova hijacks a spaceship, only to crash it on a distant planet. There he builds a bestiary of his own from the broken parts of his ship, including a trumpeting beacon that attracts his father, who also crashes on the planet. Taspett expires, but Nova restores him with donated parts, including an elephant’s trunk, dog’s tail, and a crucial heart valve from Nova himself. They discover crystals critical to their planet’s survival, and return home heroes. It’s sentimental, long, and boring; readers will spend more time looking at the pictures than listening to the story, then they’ll simply move on. (Picture book. 4-7)

Pub Date: March 1, 1999

ISBN: 0-590-28208-5

Page Count: 40

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 1998

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Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles.

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YOU MATTER

Employing a cast of diverse children reminiscent of that depicted in Another (2019), Robinson shows that every living entity has value.

After opening endpapers that depict an aerial view of a busy playground, the perspective shifts to a black child, ponytails tied with beaded elastics, peering into a microscope. So begins an exercise in perspective. From those bits of green life under the lens readers move to “Those who swim with the tide / and those who don’t.” They observe a “pest”—a mosquito biting a dinosaur, a “really gassy” planet, and a dog whose walker—a child in a pink hijab—has lost hold of the leash. Periodically, the examples are validated with the titular refrain. Textured paint strokes and collage elements contrast with uncluttered backgrounds that move from white to black to white. The black pages in the middle portion foreground scenes in space, including a black astronaut viewing Earth; the astronaut is holding an image of another black youngster who appears on the next spread flying a toy rocket and looking lonely. There are many such visual connections, creating emotional interest and invitations for conversation. The story’s conclusion spins full circle, repeating opening sentences with new scenarios. From the microscopic to the cosmic, word and image illuminate the message without a whiff of didacticism.

Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles. (Picture book. 4-7)

Pub Date: June 2, 2020

ISBN: 978-1-5344-2169-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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JOHNNY APPLESEED

Though she never says outright that he was a real person, Kurtz introduces newly emergent readers to the historical John Chapman, walking along the Ohio, planting apple seeds, and bartering seedlings to settlers for food and clothing. Haverfield supplies the legendary portions of his tale, with views of a smiling, stylishly ragged, clean-shaven young man, pot on head, wildlife on shoulder or trailing along behind. Kurtz caps her short, rhythmic text with an invitation to “Clap your hands for Johnny Chapman. / Clap your hands for Johnny Appleseed!” An appealing way to open discussions of our country’s historical or legendary past. (Easy reader/nonfiction. 5-6)

Pub Date: Sept. 1, 2004

ISBN: 0-689-85958-9

Page Count: 32

Publisher: Aladdin

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2004

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