An entertaining mashup of history and fantasy, with a likably audacious heroine plotting against the Nazis.

Olivia's Story

During World War II, the future of two worlds—human and fairy—depends on a young American woman in this middle-grade novel.

In 1942, Olivia, under 30, is excited about leaving her Wyoming home for New York City. Soon, she gets a job translating German documents and preparing reports for a handsome, late-30s man called only “the major,” although he becomes Mike Layton after further acquaintance. Also working for Mike is Vivian, who’s Olivia’s age; the two become good friends and roommates. In 1944, Olivia and Vivian are taking a walk when a car mows into them, killing Vivian. It’s no accident; Olivia recognizes the driver, a co-worker, who must be a German spy. A month later, Mike departs for London, leaving Olivia in charge. Then one night, a delicate, winged blue woman brings Olivia life-changing news: “We need your help. Soon the future of the world is to be placed in your hands.” In the fairy realm, called Fridsamt, Olivia is asked to join the Fairy Alliance, become protector of the realm, rescue Mike from his German captors, and defeat the evil Gray Jinn who’s aiding the Nazis—perhaps to develop an atomic weapon. With the help of some fairy inventions, Olivia becomes governess at a German colonel’s home and carries out her bold and risky plans. Dahl (Bugga’s Tales, 2015, etc.) packs a lot of action into this fast-moving story. Olivia is clever, patient, and brave, with a certain spunky American flair: having outfoxed a sneering German general, she ruffles his hair and runs whistling up the stairs. She seems much younger than nearly 30, but that’s a quibble. The uncredited illustrations add a nice touch with their vintage-comics style. As with the Indiana Jones film series, the paranormal plays well with Nazis and their often-cartoonish evil. But given the very real evil of Nazi death camps, readers may wonder why Olivia and the fairies aren’t more concerned about stopping that horror rather than focusing on Britain’s vulnerability to bombs.

An entertaining mashup of history and fantasy, with a likably audacious heroine plotting against the Nazis. 

Pub Date: June 10, 2016

ISBN: 978-1-4834-5172-5

Page Count: 174

Publisher: Lulu

Review Posted Online: Sept. 14, 2016

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ABIYOYO RETURNS

The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83271-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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MORNING GIRL

Like the quiet lap of waves on the sand, the alternating introspections of two Bahamian island children in 1492. Morning Girl and her brother Star Boy are very different: she loves the hush of pre-dawn while he revels in night skies, noise, wind. In many ways they are antagonists, each too young and subjective to understand the other's perspective—in contrast to their mother's appreciation for her brother. In the course of these taut chapters concerning such pivotal events as their mother's losing a child, the arrival of a hurricane, or Star Boy's earning the right to his adult name, they grow closer. In the last, Morning Girl greets— with cordial innocence—a boat full of visitors, unaware that her beautifully balanced and textured life is about to be catalogued as ``very poor in everything,'' her island conquered by Europeans. This paradise is so intensely and believably imagined that the epilogue, quoted from Columbus's diary, sickens with its ominous significance. Subtly, Dorris draws parallels between the timeless chafings of sibs set on changing each other's temperaments and the intrusions of states questing new territory. Saddening, compelling—a novel to be cherished for its compassion and humanity. (Fiction. 8+)

Pub Date: Sept. 14, 1992

ISBN: 1-56282-284-5

Page Count: 80

Publisher: Hyperion

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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