A lively work that explores a transformative time in a tumultuous place.
Robbins presents a historical novel about the formation of Israel.
During World War II, Vincenz “Vince” Haas is a reporter from Brooklyn embedded with the U.S. 3rd Army in Europe in 1945. As American forces liberate Germany’s Buchenwald concentration camp, Vince meets prisoner Hugo Ungar, who once worked as a plumber in Leipzig. As Hugo regains his strength and comes to terms with his situation, he decides to head to Palestine and encourages Vince to go with him. The decision is easy for Vince, as there will be plenty to report on in the Middle East, but the journey is anything but simple. Robbins also relates the story of a young woman named Éva,who will later take the name Rivkah Gellerman, who made the trip to Palestine from Vienna in 1940. As her boat, which had been stopped by the British, waited in Haifa’s harbor, a ship called the Patria exploded nearby—the first of many explosions to come. Paramilitary groups, such as the Irgun, will stop at nothing to create a Jewish state; Arab fighters in the region will do anything to stop them; and many rank-and-file British soldiers just want to return to their own homes. The British eventually give up control of Palestine, but it’s only the beginning of the region’s story. Robbins’ telling makes effective use of real events, such as the bombing of Jerusalem’s King David Hotel in 1946 and the execution of Zionist activist Dov Gruner by the British in 1947. The narrative not only incorporates detailed accounts of these happenings, but also deeply explores the motivations of the many people involved in them. Indeed, the book manages to fit in a great deal of history in fewer than 600 pages, although some repetition could have been excised. For instance, Hugo explains to multiple people, multiple times, that he was once a plumber—a detail that has little relevance to the plot. Still, as the main players fight, bleed, and try to make sense of the world, the narrative successfully carries readers right along with them.
A lively work that explores a transformative time in a tumultuous place.Pub Date: Aug. 10, 2021
ISBN: 978-1-64293-829-6
Page Count: 512
Publisher: Wicked Son
Review Posted Online: Oct. 7, 2021
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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