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SIDEWALKING

COMING TO TERMS WITH LOS ANGELES

Those who know the city will have the advantage, but Ulin casts his net widely, so most readers will enjoy his observations...

Writers love New York, Chicago, and San Francisco. They do not ignore Los Angeles, but love is often in short supply, writes book critic and former Los Angeles Times book editor Ulin (The Lost Art of Reading: Why Books Matter in a Distracted Time, 2010, etc.) in this mostly affectionate, rambling exploration of his adopted city.

Catching the literary world’s attention in the 1930s as the soulless, neon-lit slum of Nathanael West and Raymond Chandler, LA has grown into the endless urban village laced by crowded freeways and empty sidewalks of Joan Didion and John Gregory Dunne, perhaps doomed to become the grim dystopia of Blade Runner. This is not much of an improvement, Ulin points out while admitting that observers still see Los Angeles as “the end of the line, the place where the myths of possibility and reinvention butt up against the edges of the continent, and the vanishing point of the horizon becomes the vanishing point of the known world.” In fact, traditional urbanism is well-established, in the form of mass transportation, tall apartments, and a rejuvenated downtown. “To live here,” he writes, “is to play an elaborate Situationist game of psychogeography.” Ulin mostly approves of changes, but he remains fascinated with the vast, quasi–dream city packed with architectural oddities and fake neighborhoods (Disneyland, Knott’s Berry Farm, The Grove) built as purely commercial enterprises. In this brief but engaging book, the author chronicles his wanderings through the streets and his conversations with friends, entrepreneurs, and officials, and he makes it clear that he has read every book and seen every movie on his subject.

Those who know the city will have the advantage, but Ulin casts his net widely, so most readers will enjoy his observations of Los Angeles in literary and popular art as well as his thoughtful personal views.

Pub Date: Oct. 6, 2015

ISBN: 978-0-520-27372-6

Page Count: 152

Publisher: Univ. of California

Review Posted Online: Aug. 17, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
  • 704


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  • Our Verdict
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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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