Fascinating for entertainment industry buffs, and nicely revealing of an entrepreneur with a great heart as well as a golden...
Prolific film, TV, and entertainment producer Wolper tours his life, helped by veteran coauthor Fisher (Hard Evidence, 1995, etc.).
In the late 1940s, Wolper quit college to join buddy Jimmy Harris in forming Flamingo Films, a distribution company that sold product to all the new television stations opening around the country and clamoring for time fillers. There were no networks yet, and Hollywood, fearing TV’s takeover, would sell the stations no movies. However, Wolper and Harris did manage to buy the TV rights to an independently made film, The Adventures of Martin Eden starring Glen Ford and Evelyn Keyes, which they sold to countless stations; it became the first feature film ever broadcast on TV. Lack of product soon forced Flamingo to create original programming. In 1951, the company signed a $30-million, 31-year deal with National Comics for the TV rights to Superman, filmed 104 episodes at $20,000 each with George Reeves as the wrinkly-costumed Man of Steel, got Kellogg’s cereals to sponsor and sell the show everywhere outside the majors. Superman is still running. Older readers will have a nostalgia feast as Flamingo buys the rights from Universal for the Flash Gordon, Buck Rogers, and Don Winslow serials. Wolper’s interests grew, and he moved into producing, buying some rare Russian space footage for his first documentary, The Race for Space. Yet he always remained the visionary entrepreneur who has the ideas and assembles the talents but is himself not an artist. Among his colossal successes: Roots and The Thorn Birds on TV, staging the opening and closing ceremonies of the 1984 Los Angeles Olympics, the films Willie Wonka and the Chocolate Factory and L.A. Confidential, and the creation of the template for what would became A&E’s Biography series. Even so, declares Wolper, art collecting brings him his greatest rewards.
Fascinating for entertainment industry buffs, and nicely revealing of an entrepreneur with a great heart as well as a golden touch.Pub Date: March 11, 2003
ISBN: 0-7432-3687-4
Page Count: 384
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2002
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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