Kudos to Lagercrantz and translator Giles for a compelling read.
This dark murder mystery by the bestselling Swedish author who continued Stieg Larsson’s Millennium series plumbs the depths of Taliban depravity.
In 2003, youth soccer coach and Afghan refugee Jamal Kabir is murdered in Stockholm, his skull crushed by a rock. Once police realize that an enraged soccer dad did not commit the crime, they begin to dig—and to discover the killer, they must learn more about the victim. Was Kabir “some sort of terrorist”? Why had he smashed a woman’s clarinet in Kabul? Women musicians had been banned from practicing their craft since 1992, but once the Taliban took power, “what had previously been prohibited became downright dangerous.” Police officer Micaela Vargas is part of the investigating task force, which hires renowned Stanford psychology professor Hans Rekke to assist. Vargas is an honest, hardworking young cop who happens to have a lowlife brother with criminal ties, while Rekke takes homicide investigation to a whole new level. The esteemed “specialist in interrogation techniques” is a pill-popping wreck who can hardly keep himself and his family together, but his observational powers rival those of Sherlock Holmes. He looks at a cop’s hand and deduces that he’d been at the firing range that day, that he has tennis elbow but doesn’t play tennis, and that the crown of his watch is about to fall off because of movements caused by his suppressed neurosis. Remarkable snap observations, Micaela observes. Not really, Rekke replies. It’s just one of many from this gem of a character. The complex plot includes the CIA with references to Abu Ghraib and the Salt Pit prison, but that’s not the main focus. The ending hints at a Rekke-Vargas sequel, and that would be most welcome.
Kudos to Lagercrantz and translator Giles for a compelling read.Pub Date: Aug. 23, 2022
ISBN: 978-0-593-31921-5
Page Count: 384
Publisher: Knopf
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.
Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.
With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.Pub Date: April 28, 2026
ISBN: 9780063305748
Page Count: 608
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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