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FIRST STOP IN THE NEW WORLD

MEXICO CITY, THE CAPITAL OF THE 21ST CENTURY

Lida depicts his adopted hometown with warmth, humor, wisdom and fortitude.

Charmingly unaffected, forthright and widely knowledgeable walk through the highs and low of this teeming, complicated, immensely rewarding “hypermetropolis.”

Mexico City operates in a constant state of combustible reinvention, writes longtime resident Lida (Travel Advisory: Stories of Mexico, 2000). Half its population of 20 million lives in poverty. They grapple with severe traffic, as well as service, transportation and crime problems. The government is in “limbo” and resistant to urban planning. But the Distrito Federal has also become the dynamic, spontaneous, cultural capital of Latin America. With the peso stabilized during the last decade, its economy increasingly attracts a global population. As a result, the author argues persuasively, it will be a significant center of 21st-century life. Since transplanting himself from New York in 1990, Lida has gained an excellent sense of how Mexico City functions, or doesn’t. He profiles its various neighborhoods, from Santa Fe to Condesa, its street markets and food stalls, festive cantinas and desperate pulquerías. He examines the inhabitants’ mania for wrestling matches and saint worship, their distinctive vernacular and the culture’s deeply ingrained machismo. Lida observes and listens to the chilangos, an insulting term for city residents proudly appropriated by the younger generation. He captures the voices of the earnest drunks he met in cantinas; the mature fichera who shared stories of her work as a bar companion for men; the 22-year-old accounting student from Ocho Barrios chosen to play Jesus in the Holy Week Passion; a glue-sniffing homeless waif from the army of 3,000 street children; and radio host Anabel Ochoa as she dispensed sex advice to her spectacularly repressed listeners. “Imagine a scene painted by George Grosz, peopled by figures with brown skin,” the author writes in an affecting, generous depiction of the wide range of humanity that comprises the city.

Lida depicts his adopted hometown with warmth, humor, wisdom and fortitude.

Pub Date: June 12, 2008

ISBN: 978-1-59448-989-1

Page Count: 304

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2008

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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