A pleasure from first to last: Lodge gets better and goes deeper in each book.
Another wise, witty look at the human condition from Lodge (Author, Author, 2004, etc.).
Linguistics professor Desmond Bates’s increasing deafness led him to take early retirement from his university in a northern English city. So now, in November 2006, he has little to do beyond visit his elderly father in London and perform the routine chores his wife Fred no longer has time for, thanks to her thriving interior-design business. Accompanying Fred to a noisy party in an art gallery, Desmond politely says yes to a question he hasn’t heard from an attractive blonde. She’s Alex Loom, an American getting her doctorate at his university, and at a subsequent meeting Desmond learns that she wants him to supervise her research on suicide notes. He hastily declines, but Alex isn’t easily discouraged. She’s also a liar and plagiarist with some pretty kinky sexual ideas. Desmond hasn’t done anything wrong, really, but he’s anxious to keep Alex from becoming another issue between him and Fred, who’s already annoyed by his excessive drinking and his lack of enthusiasm for the socializing she enjoys. Meanwhile, his father’s mental and physical health worsens, and an awkward family Christmas gathering reaches its comically awful nadir when both of Desmond’s earpiece batteries go dead. Taking the offer of a British Council lecture tour in Poland, complete with a trip to Auschwitz, seems like a sensible means of getting away from his problems. Of course, his pregnant daughter gives birth and his father has a stroke while Desmond is in Poland. No summary can do justice to the artful blend of humor and poignancy with which Lodge delineates the musings of a man facing his own aging and infirmities (Desmond’s virility is almost as iffy as his hearing) as well as the impending loss of his father. Suffice it to say that the book is wonderfully funny and extremely moving as Desmond reaches new accommodations with the people he loves and finds new serenity in the face of mortality.
A pleasure from first to last: Lodge gets better and goes deeper in each book.Pub Date: Sept. 22, 2008
ISBN: 978-0-670-01992-2
Page Count: 304
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2008
IN THE NEWS
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.
Another surprise from an author who never writes the same novel twice.
Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.Pub Date: April 28, 2009
ISBN: 978-0-385-52765-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
BOOK TO SCREEN
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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