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DEAF SENTENCE

A pleasure from first to last: Lodge gets better and goes deeper in each book.

Another wise, witty look at the human condition from Lodge (Author, Author, 2004, etc.).

Linguistics professor Desmond Bates’s increasing deafness led him to take early retirement from his university in a northern English city. So now, in November 2006, he has little to do beyond visit his elderly father in London and perform the routine chores his wife Fred no longer has time for, thanks to her thriving interior-design business. Accompanying Fred to a noisy party in an art gallery, Desmond politely says yes to a question he hasn’t heard from an attractive blonde. She’s Alex Loom, an American getting her doctorate at his university, and at a subsequent meeting Desmond learns that she wants him to supervise her research on suicide notes. He hastily declines, but Alex isn’t easily discouraged. She’s also a liar and plagiarist with some pretty kinky sexual ideas. Desmond hasn’t done anything wrong, really, but he’s anxious to keep Alex from becoming another issue between him and Fred, who’s already annoyed by his excessive drinking and his lack of enthusiasm for the socializing she enjoys. Meanwhile, his father’s mental and physical health worsens, and an awkward family Christmas gathering reaches its comically awful nadir when both of Desmond’s earpiece batteries go dead. Taking the offer of a British Council lecture tour in Poland, complete with a trip to Auschwitz, seems like a sensible means of getting away from his problems. Of course, his pregnant daughter gives birth and his father has a stroke while Desmond is in Poland. No summary can do justice to the artful blend of humor and poignancy with which Lodge delineates the musings of a man facing his own aging and infirmities (Desmond’s virility is almost as iffy as his hearing) as well as the impending loss of his father. Suffice it to say that the book is wonderfully funny and extremely moving as Desmond reaches new accommodations with the people he loves and finds new serenity in the face of mortality.

A pleasure from first to last: Lodge gets better and goes deeper in each book.

Pub Date: Sept. 22, 2008

ISBN: 978-0-670-01992-2

Page Count: 304

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2008

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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