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BLOOD GAME

Though not as winning or involving as Ice Fire, this is a solid, engaging thriller with a protagonist cut from a different...

Jock Boucher, the Cajun federal judge–turned–unlikely action hero, returns for his second life-threatening adventure: investigating the smuggling of arms across the Mexican border by superpowerful New Orleans industrialist Ray Dumont.

In Ice Fire (2012), the first installment in Lyons' series, Jock saved the world from an insidious plot by strangling two bad guys with his bare hands. Now, shaken by his propensity for killing people, he has decided to leave the bench. Then the president summons him to Washington for a personal talking-to. Temporarily relieved of trying cases, the well-off Jock is assigned to seek out and help victims of Hurricane Katrina and the Gulf of Mexico oil spill. But after he and his police detective buddy Fitch discover a floating body during a fishing outing and Jock is threatened on the street by a gunman he kills with one punch, the judge goes into investigative mode—once again putting himself at mortal risk by looking into Dumont's ties to Mexican terrorists and a brewing conflict over Mexican oil and gas deposits. Dumont, hoping to get a federal judge in his stable, sidles up to Boucher socially, charming him and widower Jock's brilliant, beautiful, Mumbai-born girlfriend, Malika, at his casino. Jock draws unlikely support from a down-and-out shrimper whom he bullies into cleaning up his act. The narrative is peppered with minilessons on past conflicts between the U.S. and Mexico and tourist-guide–like commentary on New Orleans culture, cuisine and physical landmarks (Jock lives in a historical house).

Though not as winning or involving as Ice Fire, this is a solid, engaging thriller with a protagonist cut from a different cloth.

Pub Date: Aug. 13, 2013

ISBN: 978-1-4516-2932-3

Page Count: 416

Publisher: Atria

Review Posted Online: June 21, 2013

Kirkus Reviews Issue: July 1, 2013

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THE WOMAN IN CABIN 10

Too much drama at the end detracts from a finely wrought and subtle conundrum.

Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.

Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.

Too much drama at the end detracts from a finely wrought and subtle conundrum.

Pub Date: July 19, 2016

ISBN: 978-1-5011-3293-3

Page Count: 352

Publisher: Scout Press/Simon & Schuster

Review Posted Online: May 2, 2016

Kirkus Reviews Issue: May 15, 2016

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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