Neither satire nor hagiography, but an idiomatic modern rendering of the biblical tale in accord both with contemporary...
Newcomer Maine cleverly retells the story of Noah and the Flood from the perspective of the great man’s wife and children.
According to the old saw, a martyr is someone who lives with a saint, and in the case of Noe, as he is styled in these pages, the truism holds up. The great patriarch may have single-handedly saved the human race, but the simple truth is that he was a royal pain in the neck. Noe’s wife tells it best. She was just 13 when she married the old coot, who was then on the far side of 500, and she learned the hard way what it takes to satisfy a sexacentarian in bed. Withdrawn and largely silent, Noe seems to have more converse with God than he does with his family, and they are long since used to receiving outlandish pronouncements from him out of the blue. But even Noe’s wife has to bite her tongue when he tells her that he has been commanded to build an ark and prepare for a deluge that will destroy the world. The boys are somewhat less nonplussed: Cham has been trained as a shipbuilder and takes the order in stride; Sem and Japheth dutifully put their shoulders to the wheel and start building once the wood miraculously arrives. The daughters-in-law, sent off to gather in all the different species so as to march them two by two up the gangplank, are rather more put out, but that is the way of in-laws. Eventually, Noe’s folly is completed, and damned if the old boy wasn’t right. It starts to pour cats and dogs until the thing floats right away, and the rains don’t stop for 150 days. His family members owe their lives to the old man’s uprightness—but that doesn’t make him any easier to put up with, especially aboard ship.
Neither satire nor hagiography, but an idiomatic modern rendering of the biblical tale in accord both with contemporary sensibilities and historical accounts.Pub Date: July 1, 2004
ISBN: 0-312-32847-8
Page Count: 240
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2004
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
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