by David Mamet ‧ RELEASE DATE: April 5, 2022
A depressing performance best skipped by anyone outside of Trump world.
A playwright once known for brilliant observation delivers an irate diatribe against anyone who doesn’t like Donald Trump.
Mamet’s punching bag is the “Left,” his base audience, “law-abiding Americans, anguished at the wreck the Left has made of this country, are wondering at the stroke of what midnight the Left will completely unmask and how little their visage then will differ from their current costume.” The dreaded socialists on the left side of the aisle—Pelosi, Sanders, et al.—bring all kinds of bad things to bear on conservatives, droning on about climate change, imposing mask mandates, and kneeling in protest against police brutality and racism. In one of his heavy-handed, disjointed essays, Mamet asks, “What was the ‘insurrection’? There was vandalism in the halls of Congress, a Capitol police officer was killed, and some poor woman died.” No big deal, right? If there’s something to whine about, Mamet finds it. He argues that Trump “was at a disadvantage because he did not lie,” which presumably allows enough wiggle room to encompass the thousands of “alternative facts.” The author decries assimilationist Jews who vote for liberals instead of “the only president who treated them as human beings.” (You know who.) He wonders why he shouldn’t be able to use the N-word freely, and he dismisses “cancel culture” as a leftist tool of thought control—never mind that it seems most widely deployed as a rightist tool to ban books in public schools, institutions that Mamet despises, too. The author also likens climate change scientists to “Stalin’s science adviser, Trofim Lysenko.” It’s a bitter, boring litany with one or two accidentally calm observations on the role of playwrights in guiding audiences on how to think about characters, leavening vituperation and right-wing agitprop with oddly juxtaposed nostalgia.
A depressing performance best skipped by anyone outside of Trump world.Pub Date: April 5, 2022
ISBN: 978-0-06-315899-3
Page Count: 256
Publisher: Broadside Books/HarperCollins
Review Posted Online: Jan. 10, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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