Next book

BRING ME CHILDREN

Martin follows his striking Lie to Me (1990) with a horrific West Virginia gothic about a flipped-out TV anchorman's investigation of a physician with a special interest in babies. After he bursts into tears on the air over a story about child abuse, cold-fish newscaster John Lyon (``his Lordship'') is eased into a leave of absence given sudden direction by wizened black nurse Claire Cept: moments before she jumps in front of a taxi, Claire sticks him with a box of evidence against suave, blind Dr. Mason Quinndell—a man who raped her 14-year-old granddaughter and taunted her, years later, with stories of all the children he'd murdered. On arriving in Hameln, Lyon's greeted by a cast of grotesques ranging from Randolph Welby, a puzzled dwarf who's been rescuing Quinndell's victims and hiding them in a cave until they die, to a disappearing corpse in a coffin, who turns out to be Claire's living and very determined granddaughter, and who insists he go up against Quinndell and a scary crew of accomplices including: Mary Aurora, an inoffensive prostitute posing as Quinndell's nurse until her indentured year ends in a fat payoff and an introduction to her own long-since-adopted daughter; Carl, a brainless, obese sheriff's deputy equally devoted to Quinndell; and Mr. Spoon and Mr. Gigli, Quinndell's favorite torture toys, which will come out into the open for a spectacularly gruesome Fourth of July climax. As before, grisly tableaux—set with the kind of poetic sensitivity that makes them even more shocking—unerringly reflect psychosocial horrors beneath: there's nothing gratuitous in Martin's baroque encounter with evil. Strong stuff, no matter how you look at it.

Pub Date: July 1, 1992

ISBN: 0-394-58471-6

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1992

Awards & Accolades

Likes

  • Readers Vote
  • 609


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 609


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Next book

DISCLAIMER

An addictive psychological thriller.

When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.

Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.

An addictive psychological thriller.

Pub Date: May 19, 2015

ISBN: 978-0-06-236225-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

Close Quickview