A Halloween anatomy lesson sure to tickle funny bones.
“Head and shoulders, knees and toes. / Trick-or-treating, here we goes!”
Skelly Bones Skeleton is excited for Halloween; after all, skeletons sleep the whole rest of the year, so he likes to really live it up on Halloween. But what should his costume be this year? Not a witch—he couldn’t stay on the broomstick. Not a monster—too scary. A ghost! In no time, he’s ready to go. Only he hadn’t planned on the wind, which catches his sheet and lofts him up and then drops him…in separate pieces. And in a twist that will remind readers of “Humpty Dumpty,” the other trick-or-treaters can’t put Skelly back together correctly—they make him look like them: a snake, an ant, and a chicken. Finally some human kids come by. They’re at first scared by the pile of bones (more so when it talks!), but Skelly convinces them he’s friendly and needs a hand, and once he’s back together, they all set off trick-or-treating together. Richmond’s illustrations, done with pen and ink, foam stamp, and Photoshop, use a palette heavy on purple, orange, and green. Skelly’s personality shines, his eyebrows and mouth doing much of the emoting. The skeleton is an unconnected group of bones, most long and skinny save for the pelvis, which resembles tighty whities, and the skull. The three children include a brown-skinned girl skeleton, a pale-skinned pirate with glasses, and a beige-skinned chef.
A Halloween anatomy lesson sure to tickle funny bones. (Picture book. 4-7)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-12706-8
Page Count: 32
Publisher: Henry Holt
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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