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KICKING ASS AND SAVING SOULS

A TRUE STORY OF A LIFE OVER THE LINE

Eat your heart out, James Bond.

A rapid-fire biography about the improbable life of humanitarian Stefan Templeton, a “bad guy gone good because he’d never really been that good at being bad.”

Matthews (Ace of Spades: A Memoir, 2008) met Templeton in 1977, when both were the only two mixed-race children at their Baltimore school. But where the author was a skinny, fearful outsider, his friend was already revealing himself as the relentless force of nature he would become. Born to a Norwegian mother with “blood ties going back to the 900s and Olaf the Holy” and a black Vietnam vet turned philosophy professor, Templeton was a walking singularity from the start. He spent his childhood and adolescence in Europe and the United States, shuttling between the sophisticated chaos of his mother’s bohemian circles and the stable but square world of his father’s middle-class home. Though a soft “mama’s boy” at first, he learned Taekwondo from his black-belt father and became a first-class fighter, both in the dojo and on the streets. His exposure to European culture and education and the intellectual discipline of his father shaped him into a profoundly thoughtful young man—and a magnet for girls and women on both sides of the Atlantic. Despite his self-confidence, Templeton lacked real direction. He attended a prestigious university-preparatory school for international students in England where he became the lover of a rich Parisian girl. From there, he went trekking through jungles in Colombia, then trained in Marseille to join the Cousteau diving team. He then drifted into the Scandinavian criminal underworld and fled to Japan, where he almost killed a man in barroom brawl. In Thailand, he experienced the unexpected spiritual awakening that transformed him from warrior criminal to warrior hero dedicated to helping those in need. Matthews’ narrative reads like “the stuff of fiction, the stock-in-trade of thrillers and James Bond movies”; it’s also an exhilarating narrative about redemption and the power of personal choice.

Eat your heart out, James Bond.

Pub Date: July 25, 2011

ISBN: 978-1-59420-296-4

Page Count: 288

Publisher: Penguin Press

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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