Ultimately there’s no child-friendly story to enjoy, and neither the pro–status quo/anti-individualism message nor the...
An utterly odd paean to trickle-down economics, British-style, this adult-centric examination of wealth, generosity and greed won’t garner much interest.
Denver, a red-haired gent with a sweet smile, has a big house, large staff, pleasant temperament and loads of money. He patronizes local businesses and gives gifts to children at Christmastime. All is well until an unnamed troublemaker suggests that the current situation is unfair. Easily swayed, the local villagers begin to resent Denver’s good fortune. Amazingly enough, he decides to share his wealth. Initially thrilled, the villagers wind up even more unhappy than before after they squander their money and Denver is no longer available to support their community. Our hero, meanwhile, has moved on to another pleasant little town, where his hobby, painting, earns him an excellent living and brings financial success to his new neighbors. In closing, readers are warned to ignore the efforts of the stranger who is still “wandering around breeding discontent.” Childlike artwork features flat figures with simply drawn features posed against vividly colored backgrounds. Humorous touches enliven some pictures, but in general the illustrations appear static, further distancing listeners from the abstract ideas raised by McKee.
Ultimately there’s no child-friendly story to enjoy, and neither the pro–status quo/anti-individualism message nor the unflattering portrait of the middle and working class as foolish and profligate is likely to resonate with U.S. readers. (Picture book. 6-8)Pub Date: Nov. 1, 2011
ISBN: 978-1-84270-963-4
Page Count: 32
Publisher: Andersen/Trafalgar
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Inspiration, shrink wrapped.
From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.
Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.
Inspiration, shrink wrapped. (Picture book. 6-8, adult)Pub Date: March 23, 2021
ISBN: 978-1-250-26949-2
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: April 7, 2021
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