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SCHULZ AND PEANUTS

A BIOGRAPHY

All that’s needed about a prodigy of American cultural history.

The idolized comic strip and its revered creator, conjoined American avatars of the second half of the 20th century, are both fully explored in this shared biography.

As Michaelis (N.C. Weyth, 1998, etc.) demonstrates with the help of many cartoons, the antics of Peanuts’ characters formed a clear autobiography of Charles M. Schulz (1922–2000). The barber’s son from Minnesota was born to create a comic strip, if nothing else. He was a dweeby, dreamy lad called “Sparky” from infancy—an odd nickname for a serious youth who ignited little excitement. An abstemious churchgoer, he was timid around girls, especially pretty redheads. Sparky was determined, though, to have a cartoonist’s career. Home from the Army in 1945, he worked as a correspondence-school art instructor. Early on, he knew three Charlie Browns: One was a high-school friend; one was an art-school colleague who became a bit odd as his fictional namesake became celebrated; the third was an ecclesiastic. The energetic first Mrs. Schulz, usually managing Sparky, morphed into Lucy. The flourishing Peanuts strip provided a lavish California home and studio, spawned endorsements, television specials and books. Happiness was not, however, a warm bank account. With an upscale ice rink came tax problems, divorce and remarriage. The world’s most successful and rewarded cartoonist, the man who coined the term “security blanket,” nursed anxieties. “Sparky really didn’t give a damn about people,” one friend noted. Schulz was the subject of many articles and interviews, so much of his story is known, but this fine, exhaustive text is well-organized and knowledgeable. Whether or not Peanuts was inspired, as fans insist, or just insipid, Michaelis offers considerable insight into the semiotics of comics and the psyche of a master of the craft.

All that’s needed about a prodigy of American cultural history.

Pub Date: Oct. 16, 2007

ISBN: 978-0-06-621393-4

Page Count: 688

Publisher: Harper/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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