by David Milgrim & illustrated by David Milgrim ‧ RELEASE DATE: Jan. 1, 2002
A deceptively simple exploration of opposites, illustrated by the relationship between a boy and his dog, Lucky. Milgrim’s (Patrick’s Dinosaurs on the Internet, 1999, etc.) cartoony illustrations depict a Charlie Brown–like round-headed boy and his genial brown dog as they demonstrate a series of opposites on succeeding double-page spreads. “Lucky gives / Lucky gets [kisses]” “Lucky’s sad / Lucky’s happy.” The two characters are surrounded by white space, with only the most necessary contextualizing details added. In the “Lucky’s hungry” picture, for instance, the viewer sees a table with a piece of cake and an excited Lucky; but when “Lucky’s full,” the dog is no longer to be seen, and the boy is left holding a carton of milk, his cake reduced to six crumbs. The “Lucky’s loud / Lucky’s quiet” spread features two nearly identical pictures of the boy doing his homework and Lucky barking (the dog’s mouth is open and little “bark” lines emerge, indicating noise)—the only difference is that in the “quiet” illustration, the boy is wearing earmuffs. Definitely not an introductory concept book, this offering clearly depends on a fairly sophisticated ability to decode the conventions of illustration. It is, however, a splendid primer in the art of visual irony, and its sly humor will have young readers chortling. It is also, of course, a love story; that the dog is not the only member of the pair who is lucky is amply illustrated on the endpapers, which reveal Lucky and his friend waking up together and then settling down for sleep in a happy heap on the boy’s bed. A winner, and not just for dog lovers. (Picture book. 4-6)
Pub Date: Jan. 1, 2002
ISBN: 0-689-84253-8
Page Count: 32
Publisher: Anne Schwartz/Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by Mac Barnett & illustrated by Adam Rex ‧ RELEASE DATE: Sept. 1, 2009
A series of rollicking riddles with unexpected answers. In the first spread, the picture on the left apparently shows a rabbit in silhouette while the short verse on the right provides the clues: “He steals carrots... / His floppy ears are long and funny. / Can you guess who? That’s right! My….” Turn the page for the answer: “Grandpa Ned.” (Ned’s upside-down, with socks half-pulled off to resemble rabbit ears.) Grandpa Ned turns up twice more, as the answer to a riddle that seems to be about a cat and later as the setup answer to another riddle. The book’s four other riddles involve a pirate, snow creatures, a mouse hole and a dark cave. A lifting flap and a gatefold add tactile interest. Rex’s straightforward gouache-and–mixed-media illustrations downplay the mischief of the premise, appropriately lobbing visual softballs at an audience disoriented by the goof on a tried-and-true formula they’ve encountered over and over. In all, it’s a refreshing (albeit slight) spoof for jaded young readers who have aced easy Q&A books; some may find it too cool for the room. (Picture book. 4-6)
Pub Date: Sept. 1, 2009
ISBN: 978-1-4169-5566-5
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2009
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