The prolific Morrell (Assumed Identity, 1993, etc.) produces another high-speed but hollow thriller. Reporter Matt Pittman, grief-stricken to the point of suicide over the death of his teenage son, pulls the gun from his mouth long enough to do his best friend and former boss, Burt Forsyth, one more favor: write the New York Chronicle's obituary section for nine days, until the paper is shut down. In hopes of reviving Pittman's interest in life, Forsyth assigns him to research a detailed obituary of Jonathan Millgate, one of five men whom D.C. insiders call ``the grand counselors.'' These wielders of great power and influence are never elected but always appointed. Although Millgate has suffered a heart attack, he's not dead yet- -but then he's taken away from the hospital in a private ambulance by suspicious figures who seem intent on rectifying that situation. Pittman's efforts to save Millgate's life get him accused of murder. On the run, everyone he approaches for help seems to get killed too, but the adrenaline of the chase—along with the presence of nurse Jill Warren, who joins him on the lam—finally gives him reason to live. Morrell has made a concerted effort to endow Pittman with psychological complexity, but all the other characters are less than stick figures. The story's ultimate stakes (Millgate was buying nuclear weapons from the former Soviet Union and selling them to South Korea) are so flimsily tied to the immediate plot (ferreting out the pedophile in the five counselors' closet) that there is hardly any suspense. The gimmick of having Pittman resort for help to criminals he's written about in the past is as weak as the premise that the forces of law and order are no help to him at all. Fairly gripping in portions, but this has all been done better before. (Author tour)
Pub Date: Sept. 20, 1994
ISBN: 0-446-51791-7
Page Count: 400
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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