by David Nokes ‧ RELEASE DATE: Nov. 1, 2009
Rigorous and scholarly, but an introduction rather than an advancement in knowledge.
A swift life of the author of A Dictionary of the English Language (1755), whose corporal and hygienic eccentricities matched in uniqueness the brilliance of his mind.
Nokes (English Literature and Creative Writing/King’s College, London; Jane Austen, 1997, etc.) does not add much to the biographical detail of Johnson’s remarkable life (1709–1784), but he emphasizes that Johnson’s most celebrated biographer, James Boswell, was often more interested in portraying his own proximity to his subject than the subject himself. Nokes notes that Boswell spent fewer than 500 days in Johnson’s presence in a two-decade period, and manifestly did not, as some think, cling like a remora to the flank of the shark. The author also depicts a sometimes dilatory Johnson, who often found myriad reasons not to begin or continue with a commission. A notable example was The Lives of the Poets, which was supposed to be a series of brief prefaces to a multivolume anthology of English poets. Johnson, however, devoted some scattered years to the project, whose modest dimensions soon ballooned. Nokes spends little time summarizing or assessing the quality or enduring significance of Johnson’s work, but he does attend well to chronology, quoting liberally and effectively from Johnson’s correspondence and personal records. The author examines Johnson’s boyhood, his complex medical and psychological profile, his marriage to an older woman, his struggles to become a writer, his long loving relationship with Hester Thrale and his affection for young novelist Fanny Burney, whose 1778 novel Evelina he praised. Curiously, Nokes often neglects to provide a year for certain events, requiring inquisitive readers to page backward to do uncertain calculations.
Rigorous and scholarly, but an introduction rather than an advancement in knowledge.Pub Date: Nov. 1, 2009
ISBN: 978-0-8050-8651-5
Page Count: 432
Publisher: John Macrae/Henry Holt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2009
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by David Nokes
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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