A brisk and atmospheric true-crime thriller.
A dark, twist-filled mystery, the last in British author Peace's trilogy set in occupied 1940s Tokyo following Occupied City (2009) and Tokyo Year Zero (2007).
Veteran crime writer Peace, who (following James Ellroy) has said that he sees no reason to invent new crimes, follows his own precept here, focusing on one of Japan's most infamous unsolved cases: the death in 1949 of the National Railways' first president, Sadanori Shimoyama. Under pressure from the American occupying authorities, Shimoyama was being forced to lay off 100,000 workers, which made him a man both despised and depressed. One morning he was picked up as usual by his chauffeur, taken first to a bank and then to a department store. He said he'd return in five minutes, headed in—and disappeared. Late that night, Shimoyama's body was discovered alongside a rail line, grotesquely dismembered by a passing train. But was it suicide or homicide? Had he been dead hours before, as an autopsy indicated? If so, why did several people spot him that evening—or think they did—near the scene of his body's discovery, wandering and plucking weeds? Peace's intricate retelling/reimagining of the story begins in the immediate aftermath, with a disillusioned, hard-drinking American detective named Harry Sweeney. It then jumps forward to 1964, amid a revived city preparing to host the world for the Olympic Games. There, private investigator Murota Hideki, a policeman during the occupation, searches for an eccentric missing writer who was a loud proponent of the theory that Shimoyama was murdered—and who battles his own demons. Then the book leaps forward one last time, to 1988. There, against the backdrop of the emperor's protracted final illness, elderly American expatriate Donald Reichenbach, a teacher and translator, ends up being the one who must finally unravel, and reckon with the implications of, the now 40-year-old mystery. Sometimes Peace's style overrelies on line-by-line repetition, but the book has a songlike cadence that—thanks both to the riddles within riddles of the so-called "Shimoyama incident" itself and Peace's sure veteran hand with suspense—trundles the reader along with a train's inexorable momentum.
A brisk and atmospheric true-crime thriller.Pub Date: Aug. 10, 2021
ISBN: 978-0-307-26376-6
Page Count: 464
Publisher: Knopf
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
Gleefully sadistic, gloriously gratifying revenge fiction.
A frustrated advice columnist takes matters into her own hands.
Before dropping out of MIT during the second semester of her sophomore year, Debbie Mullen had designs on becoming the next Bill Gates. Now, almost 30 years later, the stay-at-home wife and mother of two uses her considerable genius to keep the Mullens’ Hingham, Massachusetts, household functioning “like a well-oiled machine.” In her spare time, Debbie also gardens and shares “the fruits of [her] wisdom” with neighbors via the weekly advice column she writes for Hingham Household, a local “family-oriented” newspaper. Though Debbie is proud of her husband and teen daughters’ accomplishments, her own life sometimes feels a bit empty. As such, she’s both honored and excited when Home Gardening magazine selects her backyard to feature in their next issue. Then, at the last minute, the publication decides to go in a different direction and instead spotlights the roses of her arch rival. Later that day, the editor-in-chief of Hingham Household axes her column because she’d counseled a reader to get a divorce. That evening, Debbie learns that her hard-working husband’s miserly boss refused his promotion request, her brilliant older daughter’s sketchy boyfriend broke her heart, and her athletically gifted younger daughter’s chauvinistic coach cut her from the soccer team for being “chubby.” Enough is enough. Debbie has always given great advice—everybody says so. If certain individuals don’t know what’s best for themselves, maybe it’s her obligation to help them see the light. Increasingly unhinged entries from a “Dear Debbie” drafts folder pepper the briskly paced, meticulously crafted tale, which unfolds courtesy of a pinwheeling first-person narrative. Some of the plot’s myriad twists are more impressive than others, but plucky, puckish Debbie is a nontraditional antihero for the ages.
Gleefully sadistic, gloriously gratifying revenge fiction.Pub Date: Jan. 27, 2026
ISBN: 9781464249624
Page Count: 336
Publisher: Poisoned Pen
Review Posted Online: Dec. 10, 2025
Kirkus Reviews Issue: Jan. 15, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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