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WORLDS APART

A MEMOIR

An understated, observant, and earnest memoir from an acclaimed novelist.

The second installment of American novelist Plante’s memoir (Becoming a Londoner, 2013, etc.) of his long love affair with Nikos Stangos (1936-2004), the Greek-born editor of the publishing house Thames and Hudson.

In this elegant follow-up to Becoming a Londoner, the author concentrates on the 1980s, moving among London, Italy, and Tulsa, Oklahoma. Deaths among his gay community from HIV/AIDS were just becoming a creeping, recurring reality in Plante’s diary, which he kept dutifully during his life with Stangos. Since the mid-1960s, the two had cultivated a deep friendship with poet Stephen Spender and his Russian wife, Natasha. They benefitted from Spender’s stellar social connections with artists like David Hockney and moved in a tight artistic circle in London and New York as well as Lucca, Italy, where Plante and Stangos lived together. The worldly Spender (in his 70s) appears here infatuated with a young American student, and their correspondence was strictly kept from his wife by using Plante and Stangos as go-betweens. Plante, in his mid-40s, also battled duel affections—e.g., for his former Turkish lover who lived in New York and died shockingly of AIDS; and successful American artist Jennifer Bartlett, about whom Plante was truly conflicted. Both relationships caused Stangos terrible agonies of jealousy, while Stangos’ flirtation with a young man in his publishing office greatly affected Plante. The most engaging moments in the book chronicle the time when the author shared a house in Tulsa with prickly Australian critic Germaine Greer and they both got jobs teaching at the University of Tulsa. Also entertaining is Plante’s anecdote about when he was asked by acquaintance Philip Roth to accompany him to Israel to research a new novel. Full of questions about Plante’s non-Jewishness and sexuality, Roth may have used Plante as a model for his goyish character in The Counterlife (1986).

An understated, observant, and earnest memoir from an acclaimed novelist.

Pub Date: Aug. 25, 2015

ISBN: 978-1-4088-5480-8

Page Count: 368

Publisher: Bloomsbury

Review Posted Online: Nov. 6, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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