by David R. Foster ‧ RELEASE DATE: April 1, 1999
Any way you slice Harvard University ecologist Foster’s evolutionary portrait of the New England landscape—psychogeography, an archaeology of place, glimmerings of the swiftness of nature’s transformations—his choice of subject thwarts him: whatever he has to say, it has been better said before Foster’s point is clear and sensible: “Nature can only be understood through an awareness of its history,” and if we are to appreciate, conserve, and manage ecosystems, we must know that history. This used to be called, by its artful purveyors Derwent Whittlesey and Hugh Raup, sequent occupance, an old and fruitful approach to the reading of landscape that goes uncredited here. To illustrate this idea, Foster takes New England as an example and uses extensive selections of Thoreau’s journals for their “insightful perspective originating from a pivotal period.’ What Thoreau had to say about land use and the changes in its wake (such as the role of wildfire; the succession of trees in an abandoned field or one given over to pasturing; those features of the landscape that are now rare or nonexistent, such as field birds, coppices, meadows) makes fascinating reading. More so, in fact, than the annotated material that Foster appends to it, though he does provide small clarifications, such as what Thoreau meant by a primitive wood as opposed to a primitive woodland, and fleshes out some of the social forces Thoreau mentions at work behind the flight from the farm in the mid-1800s. And while Thoreau’s journals give palpability to his country, no coherent contemporary picture of that country emerges from these pages—despite a slew of intriguing elements, including why bobcats have appeared where once the bobolink sang—let alone the much more difficult to capture sense of place, something that John Hanson Mitchell (Walking Towards Walden, 1995) has done with great success for this very patch. It is a well-worn path through a very public landscape that Foster travels, and he fails to jump the ruts.
Pub Date: April 1, 1999
ISBN: 0-674-88645-3
Page Count: 288
Publisher: Harvard Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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More by Lulu Miller
BOOK REVIEW
by Lulu Miller ; illustrated by Hui Skipp
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by Patrik Svensson translated by Agnes Broomé ‧ RELEASE DATE: May 5, 2020
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
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