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ECHOES OF FORTUNE

THE KNIGHTS OF THE GOLDEN CIRCLE

An enjoyably tense thriller that grapples with the notion that many people are willing to surrender freedom for security.

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In Leng’s third thriller in a series, a Civil War–era conspiracy threatens to topple the United States, more than 150 years after the war’s conclusion.

In the winter of 1864, President Jefferson Davis makes plans for the looming defeat of his Confederate States of America. Warned by a mysterious visitor that the CSA’s “treasury could fund armies that die in months or endeavors that outlive you,” he arranges for shipments of weapons and gold to be stored in secret locations, known only to a select few, to be used in future centuries to help restore the CSA to its former glory. In 2017, historian Jack Sullivan begins to fear that the Knights of the Golden Circle, the organization that the CSA built to advance these aims, is still active. Approached by a man named Zeke Cater, who claims to be in possession of a code leading to “small caches of Confederate coins,” Sullivan soon finds himself attempting to recover the Phantom, an “advanced stealth prototype,” after that boat is stolen by a shadowy group that seems to have the backing of people working within the U.S. government. Meanwhile, U.S. Senate Majority Leader Evelyn Monroe, a populist Democrat whose antigovernment rhetoric has recently won national acclaim, seeks to engineer a crisis, and Sullivan and his band of comrades (among them his fiancée, Emma) seek to prevent it. To make matters worse, the nation is shaken by a series of “coordinated cyberattacks” resulting in deadly air crashes, and a boat bearing an electromagnetic-pulse device threatens to erase all the technological advances of the past 150 years.

Sullivan is one part Jack Reacher, one part Indiana Jones (he’s even nicknamed “Indy” by his colleagues). He returns in an impressively entertaining action thriller from an author who delights in employing all the pleasing tropes of the genre; at one point, for instance, a captured suspect bites down on a cyanide capsule to cut short an interrogation. Long-buried boxes are opened to reveal parchment bearing clues written in rhyming poetry. Late in the book, a woman says, “Please tell me they didn’t bring an entire SEAL team to our wedding,” to which her fiancé replies, “Not the whole team.” Although the novel feels slightly overlong, it never falters in its momentum, and the tone is a deft balance of levity and suspense. Leng knows that a story of this nature mustn’t take itself too seriously, so he provides plenty of quips and winkingly deploys cliches. Scenes of cabinet officials discussing previously depicted events feel redundant, and there’s an excess of characters’ voices “cracking” in anguish or terror. Yet Jack’s adventures are lent thematic unity by the timely, if shopworn, reminder that governments can manufacture or exploit crises to expand their power, which can lead to tyranny, if left unchecked: “Power centralizes during emergencies,” says Jack. “But it never decentralizes when the emergency ends.” Leng anchors the book in an understanding that civic freedoms are hard won but easily lost.

An enjoyably tense thriller that grapples with the notion that many people are willing to surrender freedom for security.

Pub Date: today

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: July 9, 2026

Kirkus Reviews Issue: Sept. 1, 2026

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DRAGON TEETH

Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...

In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.

William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.

Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.

Pub Date: May 23, 2017

ISBN: 978-0-06-247335-6

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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KING NYX

A smart and engaging literary thriller that bears down too hard on its themes.

At the home of an eccentric millionaire, a woman discovers out-of-the-ordinary events.

When her husband is invited to finish writing his book at the island home of a reclusive millionaire, Anna is relieved: If he sells it, they’ll be able to keep their Bronx apartment and she won’t have to go back to work at the laundry. It’s 1918, and Charles Fort—based on a real-life figure—is hard at work on a book about unexplained phenomena, such as objects falling from a clear sky: frogs, for example, or even bits of flesh, or blood. If Anna has doubts about the legitimacy of his research, she keeps them to herself. In any case, when the millionaire Claude Arkel offers the couple a place to stay for the winter, they eagerly accept. Almost immediately, though, things seem to be off. Arkel runs a school for wayward girls, and three students are missing. Meanwhile, there’s no sign of Arkel himself, and with the Spanish flu raging in the outside world, the Forts are stuck in quarantine. Bakis’ latest novel has the pacing and suspense of a smart literary thriller: It’s almost impossible to put down once you’ve started it. But Bakis can be heavy-handed in her treatment of the themes that undergird her story—in this case, women who support ambitious men. That’s not to say Bakis’ case doesn’t hold water, but she strikes the same note again and again in a way that is more repetitive than satisfying. So, for example, when the Forts first arrive on Arkel’s island, and Charles observes that the grand house is “modeled on the Château de Chambord in the Val de Loire” and Anna responds, “I know, I’m the one who showed you the article,” the mansplaining moment isn’t nearly as funny as it was apparently intended to be; it's just frustrating, in a teeth-grinding way.

A smart and engaging literary thriller that bears down too hard on its themes.

Pub Date: Feb. 20, 2024

ISBN: 9781324093534

Page Count: 320

Publisher: Liveright/Norton

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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