An often engaging espionage tale that’s full of high-stakes suspense as the Cold War heats up.
Stokes offers a historical thriller about a plot to sabotage Winston Churchill’s funeral.
It’s 1965 and Churchill, the former prime minister of the United Kingdom, is near death. As the nation, and much of the world, prepares to mourn him, some nefarious elements see an opportunity: The funeral will certainly attract powerful figures from all over the world, and it creates a fine opportunity for chaos—or so goes the thinking of some leading members of the KGB. The Cold War is raging, and it’s spawned a plan in the Soviet Union called KOBA, which involves placing explosives in Churchill’s coffin. They would be set off during the service, killing “many, many others in the church,” and after the initial attack, “long-dormant agents provocateur…would launch an orchestrated wave of precision bombings and assassinations” all over the world. It may sound like a somewhat bizarre way to kick off an operation, but Soviet spies have long been developing assets in other countries for a situation such as this; they include leftist sympathizers in Northern Ireland, who are “particularly susceptible to recruitment” by the KGB. It’s an ambitiously sinister plan, but it’s not one that goes completely undetected. When suspicions regarding the funeral ceremony are brought to the attention of U.S. President Lyndon Johnson, he takes action: Not only does he decide not to attend the memorial services, but he also consults former CIA director Allen Dulles, who, along with many other government operatives, recognizes the seriousness of the situation, which could easily spiral out of control.
The story begins with a rather bland speech from 1960s-era Prime Minister Harold Wilson (“We are on the threshold of an extraordinary moment in the history of the realm”); a bit later on, there’s a similarly unexciting flashback to Churchill’s final public appearance in 1964, in which a woman unnecessarily explains to her young daughter, “Sweetheart, that is Sir Winston Churchill and his wife, Lady Churchill.” Nevertheless, as the pages turn, so does readers’ anticipation regarding the wild spy mission, which involves a large cast of diverse characters; they include a couple in the U.K. that “had dedicated themselves to Soviet intelligence for nearly three decades, their commitment unwavering despite upheavals and betrayals,” as well as a frazzled American spy who, before the threat of KOBA came to the CIA’s attention, had been living a very unhappy existence in Rome. The lively mix of real-life historical figures and Stokes’ fictional creations keeps events moving briskly along, and that includes the action scenes; in one, a character makes quick work of his adversaries by firing “three shots with great poise and precision, dropping all three men in less than two seconds.” And, of course, there’s always the chance that world-changing fiascoes will occur if the plan actually succeeds. The potential for such chaos will give readers plenty of good reasons to stick with the novel all the way to its conclusion.
An often engaging espionage tale that’s full of high-stakes suspense as the Cold War heats up.Pub Date: Sept. 23, 2025
ISBN: 9798999204004
Page Count: 410
Publisher: N/A
Review Posted Online: July 30, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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