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MIDDLE MAN

Above-average action-adventure with a touch of noir. This one is good fun.

USMC Lt. Rollie Waters remains mired in the misdeeds of a greedy and ghoulish cabal in Rich’s (Caravan of Thieves, 2012) second action-adventure novel.

As the saga begins, the crime uncovered in Thieves is the same but exacerbated. Waters’ con-man father, Dan, had uncovered a conspiracy that looted millions of Saddam’s dollars after the invasion of Iraq, all supposedly shipped home in caskets of troops killed in action. Dan was murdered by the conspirators, but Waters got revenge. That involvement brought combat veteran Waters to the attention of mysterious Maj. Hensel of SHADE (Shared Defense Executive), an uber-secret spinoff of the Defense Intelligence Agency. Hensel suspects the purloined money is to finance a conspiracy to control Kurd oil resources. Waters, SHADE-assigned to exhume graves to unearth the millions, becomes an assassin’s target. The shooting brings Waters’ investigation unwelcome FBI attention, and so Henley dresses Waters up as Robert Hewitt, oil speculator, and dispatches him to Houston to meet the self-styled king of Kurdistan. The action moves from Houston to Erbil, Iraq’s Kurd stronghold. Waters is pursuing a one-eyed Welshman named Bannion who has supposedly kidnapped Maya, his own ex-wife and the king’s daughter. Rich is a film writer, with a firm grip on pacing, always ready to stop and flesh out characters and then to pull a knife and draw a little blood. Waters is the perfect edgy, flawed hero—"loaded up five cylinders for Russian roulette with chivalry, gallantry, righteousness, sincerity and plain old lust"—and Rich’s supporting cast is solid. Bannion is Machiavellian evil. Gill, supposedly Bannion’s silent muscle, is three layers deep. Pushing credibility is Ethan Williams, a purported hippie drug dealer Waters once rescued in Afghanistan and who is now in Bannion’s employ. The adventure unreels in first person from Waters’ point of view, and Rich uses a nifty narrative device—Waters’ interior dialogue with his dead con-man father—to flesh out the now-you-see-it, now-you-don’t machinations of the bad guys.

Above-average action-adventure with a touch of noir. This one is good fun.

Pub Date: Aug. 29, 2013

ISBN: 978-0-525-95323-4

Page Count: 320

Publisher: Dutton

Review Posted Online: June 19, 2013

Kirkus Reviews Issue: July 1, 2013

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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DISCLAIMER

An addictive psychological thriller.

When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.

Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.

An addictive psychological thriller.

Pub Date: May 19, 2015

ISBN: 978-0-06-236225-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

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