An engaging vision of the enduring nature of the human soul.
Spiritual counselor Rippy’s book offers accounts of the afterlife and assert the presence of unseen miracles in our midst.
Much of this book is made up of transcripts of nine past-life regressions in which Rippy says he helped people explore aspects of their previous existences. For each, he includes historical and relationship context and information about the causes of death of his subjects’ past lives. Stories include the life of Liza, a nanny in early-20th-century Boston who died of an allergic reaction to penicillin—in the company of a man that she only ever knew as a ghost. In another account, Rippy tells of a young woman who experienced a past-life regression to an orphaned boy named Elliot, who lived in 1910 and whose twin brother, Peter, was reincarnated as the young woman’s father. In a particularly compelling story, he describes a female subject who recalls serving as Lt. Hertzof, a member of a Nazi battalion that captured Brussels in World War II. Killed when his tank blows up, Hertzof then experiences hell for 1,000 years before God forgives him. Most of the stories of past lives end tragically in suicide, murder, or alcoholism, but their accounts of the afterlife may bring solace to some readers. Intriguingly, Rippy’s work doesn’t offer one consistent view of heaven, instead showcasing different versions that include spirit guides and councils, farms, spiritual “hospitals,” and other ways in which souls prepare for rebirth. This compelling book not only tells of hypnotic regressions conducted by the author, it also provides informative asides outlining how he helped clients focus during unfamiliar or startling experiences. He also informatively describes the steps that he says he uses to catch potential fabrications. In addition, readers learn of his techniques for keeping subjects from becoming retraumatized by past-life events and how he uses protective prayers and imagery to bring comfort to those entering hypnotic states.
An engaging vision of the enduring nature of the human soul.Pub Date: July 24, 2018
ISBN: 978-0-692-15064-1
Page Count: 422
Publisher: Vision Peak Resources LLC
Review Posted Online: Oct. 15, 2020
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A top-flight nonfiction debut from a unique artist.
The acclaimed director displays his talents as a film critic.
Tarantino’s collection of essays about the important movies of his formative years is packed with everything needed for a powerful review: facts about the work, context about the creative decisions, and whether or not it was successful. The Oscar-winning director of classic films like Pulp Fiction and Reservoir Dogs offers plenty of attitude with his thoughts on movies ranging from Animal House to Bullitt to The Texas Chainsaw Massacre to The Big Chill. Whether you agree with his assessments or not, he provides the original reporting and insights only a veteran director would notice, and his engaging style makes it impossible to leave an essay without learning something. The concepts he smashes together in two sentences about Taxi Driver would take a semester of film theory class to unpack. Taxi Driver isn’t a “paraphrased remake” of The Searchers like Bogdanovich’s What’s Up, Doc? is a paraphrased remake of Hawks’ Bringing Up Baby or De Palma’s Dressed To Kill is a paraphrased remake of Hitchcock’s Psycho. But it’s about as close as you can get to a paraphrased remake without actually being one. Robert De Niro’s taxi driving protagonist Travis Bickle is John Wayne’s Ethan Edwards. Like any good critic, Tarantino reveals bits of himself as he discusses the films that are important to him, recalling where he was when he first saw them and what the crowd was like. Perhaps not surprisingly, the author was raised by movie-loving parents who took him along to watch whatever they were watching, even if it included violent or sexual imagery. At the age of 8, he had seen the very adult MASH three times. Suddenly the dark humor of Kill Bill makes much more sense. With this collection, Tarantino offers well-researched love letters to his favorite movies of one of Hollywood’s most ambitious eras.
A top-flight nonfiction debut from a unique artist.Pub Date: Nov. 1, 2022
ISBN: 978-0-06-311258-2
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 31, 2022
Kirkus Reviews Issue: Dec. 1, 2022
SEEN & HEARD
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