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A KNIFE EDGE

Cooper is a great character, but a plot that relies on way too many outlandish coincidences ultimately ruins the book.

A military investigator wisecracks his way through a series of oddly connected cases.

Maj. Vin Cooper, the engaging and funny aviophobic Air Force investigator from Rollins’s The Death Trust (2007), has been given a more relaxed assignment as a Department of Defense investigator until he fully recovers from his last mission. As part of his lighter work load, he’s ordered to travel to Japan to perform an investigation into what looks like a scientist’s accidental fall overboard into the mouth of a waiting shark. Afterwards, he heads back to the Pentagon to type up his report, but before he’s had a chance to work his way through certain inconsistencies in the story of Dr. Boyle, one of the dead scientist’s closest colleagues, terrorists attack San Francisco with a truck bomb. He’s pulled off his dead-scientist case and sent to the scene to represent the DOD in the ensuing investigation. There, he learns that, thanks to an absolutely stunning coincidence, one of the victims of the attack appears to be Dr. Boyle, recently of the shark-eaten scientist case. But before he can make any headway into this assignment, he’s yanked yet again and sent on another investigation, this time to look into the death of a soldier in Florida, who, in another stunning coincidence, happens to be one of Cooper’s former comrades-in-arms. Just when he thinks he knows who did it, he is yet again removed from his case and sent on a brand-new mission, which, coincidentally (notice how that word keeps popping up?) involves working with a prime suspect from his last case (the Florida case, if you’re having trouble keeping track). From there, the million-to-one shots really get out of hand.

Cooper is a great character, but a plot that relies on way too many outlandish coincidences ultimately ruins the book.

Pub Date: March 24, 2009

ISBN: 978-0-553-80535-2

Page Count: 402

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2009

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DISCLAIMER

An addictive psychological thriller.

When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.

Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.

An addictive psychological thriller.

Pub Date: May 19, 2015

ISBN: 978-0-06-236225-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

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