by David Ross Netherton ‧ RELEASE DATE: Nov. 1, 2019
Some genuine insight into American culture hampered by a lack of clarity.
A collection of essays that aim to plumb the depths of the American psyche.
Debut author Netherton, an adjunct lecturer in philosophy at Worcester Polytechnic Institute, bravely undertakes a philosophically ambitious project to capture the nature of the American mind. One obstacle to such an anatomy, he observes, is the nation’s relative youth—our “sense of history stretches back only a few decades”—but Americans have a sense of nostalgia in the absence of long-standing tradition, which provides insight into their peculiar marriage of hardheaded pragmatism and idealism. For the majority of Americans, the author asserts, a commitment to progress is a “natural feeling”—a hopefulness that’s often expressed in materialistic terms as the expectation of “abundance,” which culminates in a “religion of accumulation.” Despite the political and cultural debts that the United States owes to its European predecessors, Netherton says, Americans in the first half of the 20th century were “individualistic, iconoclastic, and a little untidy.” In his quest to construct a “practical philosophy” that reflects America’s cultural inclinations, he takes readers on a meandering tour, focusing on the period from the 1940s to the ’90s. Much of the ground that he covers is familiar, with discussions of self-reliance and racism that seem almost obligatory. However, he does sometimes dazzle with refreshing, original insights; his treatment of the quixotic pursuit of “secret knowledge” is memorably astute. Overall, though, the author’s approach is exasperatingly unstructured, as he leapfrogs from subject to subject in a seemingly stream-of-consciousness manner. Indeed, he often seems more interested in making esoteric references than providing useful illustrations. His prose laboriously aims for the poetical but usually achieves only opacity: “In our individual cosmologies, many who habitually harbor less confidence in tomorrow long for the incandescent spirit that reaches through the high vacuum and places us gently on the soaring dove.”
Some genuine insight into American culture hampered by a lack of clarity.Pub Date: Nov. 1, 2019
ISBN: 978-1-948796-78-1
Page Count: 214
Publisher: Hermes Editions
Review Posted Online: Jan. 7, 2020
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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