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WALT WHITMAN

Precise and provocative, learned and lucid. (12 b&w illustrations)

A concise and well-considered summary of the forces—biographical, social, cultural—that combined in fashioning our most original and democratic poetic voice.

Reynolds (English and American Studies/CUNY) is eminently equipped for the task of reducing to a sonnet the epic of Whitman’s life. A Bancroft winner for Walt Whitman’s America (1995), Reynolds knows the historical period (and the details of Whitman’s life) so thoroughly that he can find the essence—the quintessence, really—of a vast complexity. After an opening chapter sketching the peripatetic poet’s life (1819–92), the author examines clusters of influences that made Whitman Whitman. Among these are the Temperance Movement (Whitman published a novel on the subject, Franklin Evans, in 1842), the swirl and chaos and cacophony of urban life, the popular arts (especially the theater, oratory, painting, and photography), science and its next of kin (phrenology and mesmerism), philosophy (he read Swedenborg), religion, sex, war, and Lincoln. Whitman loved to hear the preaching of Henry Ward Beecher (who didn’t?) but wouldn’t permit any particular creed to circumscribe him. Reynolds properly credits the poet for his innovations in style and technique (poetry after Whitman no longer looked or sounded the same) and for his ambitious, surely quixotic, desire to encompass all experience in a word, a phrase, a poem. But Reynolds is no mere press agent for Whitman. He recognizes the ambiguities in the man, quoting, for example, a nasty social-Darwinist passage about race (from later in his life) that flatly contradicts the poet’s earlier egalitarian views. And there are other troubling contradictions. Whitman believed, on balance, that the Civil War was a good thing (it cleared the air!) but did see, in grim and red detail (as a volunteer nurse), the horrors of this air-clearing. (Another Dec. 2004 volume from Oxford, Memoranda During the War, a selection from Whitman’s journals during the war, edited by Peter Coviello, shows the range and capacity of the poet’s sensibility.)

Precise and provocative, learned and lucid. (12 b&w illustrations)

Pub Date: Dec. 1, 2004

ISBN: 0-19-517009-1

Page Count: 144

Publisher: Oxford Univ.

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2004

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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