MIGHTIER THAN THE SWORD by David S. Reynolds
Kirkus Star

MIGHTIER THAN THE SWORD

Uncle Tom's Cabin and the Battle for America

KIRKUS REVIEW

A provocative overview of the life and afterlife of one of American literature’s most important texts.

Published in 1852, Uncle Tom’s Cabin has a battered reputation, not least in the way the term “Uncle Tom” has become an epithet for somebody who sells out his own race. But Reynolds (English and American Studies/City Univ. of New York; Waking Giant: America in the Age of Jackson, 2008, etc.) successfully repositions the novel by Harriet Beecher Stowe (1811–1896) as a major political work, crucial not just to the abolitionist movement, but as kindling for the Civil War and an important inspiration to cultural discussions of race relations through most of the 20th century. In the early chapters, Reynolds examines aspects of Stowe’s character that inspired the book: a brand of Christianity that made her sympathetic to abolitionism, an intuitive understanding of adventure stories that captured the public imagination and a sentimental style that prompted readers to rethink their prejudices without feeling provoked. That last element earned Stowe a reputation as a soft antislavery agitator, but there’s no question Uncle Tom’s Cabin struck a chord. It sold so well, in fact, that it inspired a whole shelf of anti-Stowe novels; among the most prominent was Thomas Dixon Jr.’s novel The Clansman, which in turn inspired D.W. Griffith’s “adeptly made yet thematically abhorrent film The Birth of a Nation.” But Uncle Tom’s Cabin influenced the civil-rights movement as well. In the decades after the Civil War, there were few communities that hadn’t seen a “Tom play,” a stage version of the novel. Reynolds somewhat soft-pedals how these plays perpetuated racist stereotypes, but it’s clear that Uncle Tom himself largely retained his status as a symbol of nonviolent resistance, not self-denying passivity. To that end, Stowe’s vision endured, as seen in the acts of Rosa Parks, Martin Luther King Jr. and other activists for racial equality. In showing how that sentiment played out not just in the novel and plays but in Shirley Temple films, Mickey Mouse cartoons, magazines ads, Roots and more, Reynolds defends Stowe’s influence, even if that influence was frustratingly slow.

A sharp work of cross-disciplinary criticism that gives new power to a diminished novel.

 

Pub Date: June 14th, 2011
ISBN: 978-0-393-08132-9
Page count: 352pp
Publisher: Norton
Review Posted Online:
Kirkus Reviews Issue: March 15th, 2011




2011 BEST OF NONFICTION: BIOGRAPHY:

NonfictionCOURAGE BEYOND THE GAME by Jim Dent
by Jim Dent
NonfictionTOLSTOY by Rosamund Bartlett
by Rosamund Bartlett
NonfictionJANE FONDA by Patricia Bosworth
by Patricia Bosworth
NonfictionLENNON by Tim Riley
by Tim Riley
NonfictionLOVE AND CAPITAL by Mary Gabriel
by Mary Gabriel

MORE BY DAVID S. REYNOLDS

NonfictionWAKING GIANT by David S. Reynolds
by David S. Reynolds
NonfictionJOHN BROWN, ABOLITIONIST by David S. Reynolds
by David S. Reynolds
NonfictionWALT WHITMAN by David S. Reynolds
by David S. Reynolds

SIMILAR BOOKS SUGGESTED BY OUR CRITICS:

NonfictionDAUGHTERS OF THE DECLARATION by Claire Gaudiani
by Claire Gaudiani
NonfictionTHE MOST FAMOUS MAN IN AMERICA by Debby Applegate
by Debby Applegate
NonfictionTHE STORYTELLING ANIMAL by Jonathan Gottschall
by Jonathan Gottschall