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THIS ISLAND, THIS LIFE

While dense, this character study creates an enveloping world and a memorable protagonist.

Sahatdjian’s novel follows the ups and downs of a lifelong New Yorker.

When readers first meet Johan Manootdjian, he is asleep in his cubicle. Johan works in the publishing department at an organization called Girls of America Now—or, as he privately refers to it, “the org.” It is not the most stimulating work, but it is hardly the worst job he has ever had; as he admits, “I’m grateful to have a job, even if it doesn’t always feel substantial.” In this novel, there is much to learn about Johan’s life, from his previous employment history to his relationships with his family members and beyond…the narrative takes a deep dive into all that makes Johan Manootdjian tick. The story regularly returns to Johan’s experiences as an alcoholic and with recovery. In sobriety, he learns to “build your day around a meeting,” even as these meetings contain “felons, arsonists, hit men, women of the night as well as those of sterling character and high achievement.” Then there are Johan’s worktime activities; the org is flush with conniving characters, whether they are like the new, ambitious arrival Lurleen Lulabella, who wants, among other things, to create a fun work environment, or the unflappable CEO and “luminous American star” Jane Fallows. These and many, many others cycle in and out of the pages as Johan’s days are laid bare.

While it may initially appear that the story will simply follow the exploits of an office worker and his quirky cohorts, the novel comes to encompass much more. (It was a long road for Johan, in his 50s, to get to the point of falling asleep in his cubicle.) Many of the descriptions along the way are distinctive and striking, such as when he rubs shoulders with “boozehound men drinking from quart bottles of beer dripping with cold sweat.” Likewise, New York City, through Johan’s eyes, is well illustrated. He recalls the old, “exquisite” Penn Station that was “demolished by the wrecking ball of those with no regard for the city’s treasures.” He lives at a time when the SoHo neighborhood had “loft buildings full of artists pursuing their vision.” But the work also contains scenes and details that do not serve much purpose. Johan describes his job interview process at the org, which is no more appealing than one might expect, with quotidian details like “A week later I was called back for a second interview.” Not only is the process not particularly stimulating to read about, but the reader already knows the outcome. In other places, relatively minor characters are given extensive backgrounds. Readers learn all about Jane Fallows, “a woman of conviction with the clarity of mind and strength to buck generational currents,” though such commentary feels unnecessary. Still, though Johan’s journey is a sometimes tedious one, readers come to know him well and remain curious to see what shape he and his environment will ultimately take as the pages progress.

While dense, this character study creates an enveloping world and a memorable protagonist.

Pub Date: April 30, 2024

ISBN: 9798218334376

Page Count: 778

Publisher: Self

Review Posted Online: June 21, 2024

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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