Serious fun and a rare, rich feast for many: Schickler’s unabashed use of allegory and his skillful weaving of the dark and...
Enchanting debut novel by Schickler (Kissing in Manhattan, stories: 2001), who stitches together a kind of crazy-quilt picaresque that seems to be inspired in equal measure by Pulp Fiction and Parsifal.
There’s an unhappy hood named Henry Dante who works for the creepy Chicago mobster Honey Pobrinkis. Honey (who isn’t above freezing people to death in restaurant coolers) has just managed to buy a seven-stone diamond collection known as the Planets through a middleman who subsequently pockets the stones and plans to flee the country with them. Along with Honey’s other two strong-arm guys—his sinister nephew Roger and screwbally, comic-foil Floyd—Dante is sent to bring them back. But when Roger tries to turn the pickup into a hit, Dante spares the mark, punches out both of his partners, and takes the Planets himself. What do you do when you’ve beat up Honey’s nephew and stolen $40 million worth of ice? You hit the road, of course, and don’t ask where. That will eventually bring you face-to-face with Grace McGlone in Janesville, Wisconsin. The daughter of a devout God-fearing mother and a worthless, unknown father, Grace is a kind of Manichean schizophrenic, a bit like Lara from Dr. Zhivago, who manages to fall in love with Christ despite being raped by her mother’s revivalist preacher: a Christian gospel radio show evangelist by the name of Bertram Block. When Grace and Dante meet at the car wash in Janesville, it’s love at first sight—albeit a very strange love indeed. The deep-down honorable Dante confesses his mob past to Grace, upon which she proceeds to marry him and help him get away. As they flee across the country to outrun Honey’s inevitable retribution, they give away the Planets one by one, until, after a climactic showdown at another God’s Will revival, there’s nothing left but Earth. But, in the end, Earth is enough.
Serious fun and a rare, rich feast for many: Schickler’s unabashed use of allegory and his skillful weaving of the dark and comical make him one of the best new voices in years.Pub Date: Sept. 7, 2004
ISBN: 0-385-33568-7
Page Count: 256
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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