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THE ART OF STATISTICS

HOW TO LEARN FROM DATA

An admirable corrective to fake news and sloppy thinking.

An exploration of “why we need statistics” and how to use them effectively.

The fact that Darrell Huff’s delightful How to Lie With Statistics (1954) remains in print should convince readers that politicians, demagogues, and advertisers have never had trouble misleading us with numbers and graphs. Still, the study of statistics is widely considered boring, so popular books on the subject work hard to be entertaining; this expert primer mostly measures up. Distinguished British statistician Spiegelhalter (Statistics/Univ. of Cambridge; Sex by Numbers, 2015, etc.), a former president of the Royal Statistical Society, writes that “numbers do not speak for themselves; the context, language, and graphic design all contribute to the way communication is received. We have to acknowledge that we are telling a story.” Some statistics are meaningless—e.g., based on average, a human has one testicle. Some are unhelpful: Vegetarians earn more than meat-eaters, but avoiding meat is unlikely to boost your income. An identical statistic can tell a horror story—e.g., a drug increases the risk of lung cancer by 14%, or not, if it increases the risk from 1 to 1.14 in 1,000. Unlike Huff’s slim volume, Spiegelhalter goes beyond debunking numerical nonsense to deliver a largely mathematics-free but often formidable education on the vocabulary and techniques of statistical science. Almost everyone will understand how “median” differs from “average,” and most will grasp the meaning of a bell curve or that “deduction” (using the rules of logic to come to a conclusion, Sherlock Holmes) is the converse of “induction” (using particular events to draw a general conclusion). Despite careful explanations and a plethora of tables and graphs, readers may strain to understand concepts such as the Poisson distribution, confidence intervals, bootstrapping, or standard deviation, but their efforts will be rewarded.

An admirable corrective to fake news and sloppy thinking.

Pub Date: Sept. 3, 2019

ISBN: 978-1-5416-1851-0

Page Count: 448

Publisher: Basic Books

Review Posted Online: June 8, 2019

Kirkus Reviews Issue: July 1, 2019

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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