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THE ART OF STATISTICS

HOW TO LEARN FROM DATA

An admirable corrective to fake news and sloppy thinking.

An exploration of “why we need statistics” and how to use them effectively.

The fact that Darrell Huff’s delightful How to Lie With Statistics (1954) remains in print should convince readers that politicians, demagogues, and advertisers have never had trouble misleading us with numbers and graphs. Still, the study of statistics is widely considered boring, so popular books on the subject work hard to be entertaining; this expert primer mostly measures up. Distinguished British statistician Spiegelhalter (Statistics/Univ. of Cambridge; Sex by Numbers, 2015, etc.), a former president of the Royal Statistical Society, writes that “numbers do not speak for themselves; the context, language, and graphic design all contribute to the way communication is received. We have to acknowledge that we are telling a story.” Some statistics are meaningless—e.g., based on average, a human has one testicle. Some are unhelpful: Vegetarians earn more than meat-eaters, but avoiding meat is unlikely to boost your income. An identical statistic can tell a horror story—e.g., a drug increases the risk of lung cancer by 14%, or not, if it increases the risk from 1 to 1.14 in 1,000. Unlike Huff’s slim volume, Spiegelhalter goes beyond debunking numerical nonsense to deliver a largely mathematics-free but often formidable education on the vocabulary and techniques of statistical science. Almost everyone will understand how “median” differs from “average,” and most will grasp the meaning of a bell curve or that “deduction” (using the rules of logic to come to a conclusion, Sherlock Holmes) is the converse of “induction” (using particular events to draw a general conclusion). Despite careful explanations and a plethora of tables and graphs, readers may strain to understand concepts such as the Poisson distribution, confidence intervals, bootstrapping, or standard deviation, but their efforts will be rewarded.

An admirable corrective to fake news and sloppy thinking.

Pub Date: Sept. 3, 2019

ISBN: 978-1-5416-1851-0

Page Count: 448

Publisher: Basic Books

Review Posted Online: June 8, 2019

Kirkus Reviews Issue: July 1, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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